Behind the Sun

• ISBN13: 9781439213544
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Golden Globe Award Nominee for Best Foreign Language Film, BEHIND THE SUN is a critically acclaimed story about love, loyalty, and the choice a son must make between honoring his family and following his heart. In the brutal Brazilian badlands of 1910, two families are locked in a bloody, generations-old feud. In one family, the oldest remaining son, distressed by the prospect of death and encouraged by his younger brother -- begins to question the cycle of violence. Then a beautiful young woman crosses his path and opens his eyes to life outside his culture's rigid code of honor. Stunningly photographed and exquisitely told, this outstanding motion picture masterpiece will transport you to a vastly di! fferent place and time ... a place somewhere "behind the sun"!Behind the Sun is a rapturous Western, a big film about a big, unwanted destiny visited upon a vulnerable, young hero. Adapted from the novel Broken April by Albanian writer Ismail Kadare (the story has been transferred from Europe to Brazil's rugged, northeastern badlands in 1910), Behind the Sun concerns two families and their long-running land war, which has robbed many a young man of his hope, love and, ultimately, life. Sent by his aggrieved father to avenge the slaying of an older brother, Tonho (Rodrigo Santoro), in torment, carries out his bloody, ancestral obligation and then proposes a truce between the families. Director Walter Salles (Central Station) aims to make a magnificently crafted, lush, and exotic epic told in broad strokes for art house aficionados, and he succeeds almost to a self-conscious fault. Still, there is nothing like a stirring, archetypal tragedy about! the endless repercussions of violence and the sacrifice of in! nocence to a dubious cause. --Tom KeoghDVD-Behind The Sun by Open Doors FilmsDigitally remastered Japanese reissue of his top 40 1985 album for Duck/ Reprise in a miniaturized LP sleeve limited to the initial pressing only. 11 tracks, including the top 30 hit 'Forever Man' and the single 'See What Love Can Do'. Gatefold sleeve. 1999 release. Men Behind The Sun is the true story of the Japanese prison camp, Manchu 731, where people were subjected to tremendous horrors. This film is very powerful and hard to watch but it's a film that should be seen by everyone, to show the fact that there were more victims that suffered during World War 2 than most people are aware of. Near the end of WW2, Japan is losing the war so a prison camp is created to test new biological and chemical weapons that might be able to help them win. In order to test these new weapons, the Japanese need to use test subjects, so they capture and use Chinese and Russians as guinea pigs for their cruel and ba! rbaric experiments. The Japanese refer to the test subjects as Maruta, which translates to the word material. We follow the experiments performed on the Maruta by the crazy leader who runs the prison camp and a group of young boys that are enrolled in the camp but they cannot stand to deal with this cruelty. Although all 731 prison camp members disappeared into the darkness and all of the witnesses & records were destroyed, the bloody story of the devil 731 Bacterial Camps marked the immortal history of true and real, cruel and merciless evil. Includes Original Theatrical Trailer Written Director Interview Director Filmography

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Cop Out

• COP OUT (DVD MOVIE)

Action star Bruce Willis and ace comic Tracy Morgan play bickering-but-got-your-back Brooklyn buddy cops. Kevin Smith (Clerks, Chasing Amy) directs the gritty, goofball goings-on as the guys hunt for a stolen 1952 mint-condition baseball card, a hunt plunging them into a gunslinging war with a deadly drug ring. Batter up, fans. The boys are ready to take you out to the ol’ brawl game!Fan-favorite filmmaker Kevin Smith (Clerks, Chasing Amy) directs the first movie he didn't write himself: Cop Out, starring Bruce Willis and Tracy Morgan (30 Rock) as mismatched cops. When a bust goes wrong, they get suspended, forcing Willis to sell a treasured baseball card in order to pay for his daughter's wedding. But while selling the card, it gets stolen, sending the pair on a wild chase featuring a parkour-loving housebreaker, a hot Latina trapped in the t! runk of a Mercedes-Benz, a 10-year-old car thief, and a lot of other goofiness. It's hard to believe that Smith didn't have a hand in the writing, as the comedy has all of his loose, ramshackle habits (and his reliance on jokes about poop and male genitalia)--though much of it also has the feel of being improvised by Willis and Morgan. Cop Out wants to mock buddy-cop movies, but it also wants to be a buddy-cop movie; these conflicting impulses are never harmonized, so the whole movie feels out of tune. The star-studded supporting cast includes Jason Lee, Michelle Trachtenberg, Seann William Scott, Fred Armisen, Kevin Pollak, Adam Brody, Rashida Jones, and Susie Essman. --Bret Fetzer

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Ghost Town (Morganville Vampires, Book 9)

• ISBN13: 9780451232915
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Studio: Paramount Home Video Release Date: 12/26/2008Ricky Gervais is brilliant in Ghost Town, playing an unnervingly rude dentist, Bertram, who dies for a few minutes during surgery and acquires the unwanted ability to see ghosts. Chased throughout Manhattan by a gaggle of restless spirits begging him to take care of their unfinished business on Earth, Bertram turns them all away except Frank (Greg Kinnear). The latter, a rogue who cheated on his archaeologist widow, Gwen (Téa Leoni), wants Bertram to intervene in a romance between Gwen and a starchy activist (Bill Campbell). Misanthropic Bertram has to polish his relationship patter, but ends up sounding a lot like Gervais' infamous characte! r in the original The Office, unable to complete a sentence without making others uncomfortable. In time, of course, Bertram falls for the wonderful Gwen, setting up a bunch of overlapping conflicts. Cowritten and directed by David Koepp (Indiana Jones and the Kingdom of the Crystal Skull), Ghost Town walks a fine line between comic freshness and a story idea with elements that have become overly familiar in movies and on television. Kinnear and Leoni have never been better on screen, but Ghost Town is well worth seeing because no one like Gervais has previously played the hapless hero in a high-concept film such as this one. With Gervais doing his familiar, hilariously discomfiting thing, it really doesn't matter what kind of movie Ghost Town is. Happily, it's a pretty good film in every respect. --Tom Keogh




Stills from Ghost Town (Click for larger image)

Studio: Paramount Home Video Release Date: 12/26/2008Ricky Gervais is brilliant in Ghost Town, playing an unnervingly rude dentist, Bertram, who dies for a few minutes during surgery and acquires the unwanted ability to see ghosts. Chased throughout Manhattan by a gaggle of restless spirits begging him to take care of their unfinished business on Earth, Bertram turns them all away except Frank! (Greg Kinnear). The latter, a rogue who cheated on his archae! ologist widow, Gwen (Téa Leoni), wants Bertram to intervene in a romance between Gwen and a starchy activist (Bill Campbell). Misanthropic Bertram has to polish his relationship patter, but ends up sounding a lot like Gervais' infamous character in the original The Office, unable to complete a sentence without making others uncomfortable. In time, of course, Bertram falls for the wonderful Gwen, setting up a bunch of overlapping conflicts. Cowritten and directed by David Koepp (Indiana Jones and the Kingdom of the Crystal Skull), Ghost Town walks a fine line between comic freshness and a story idea with elements that have become overly familiar in movies and on television. Kinnear and Leoni have never been better on screen, but Ghost Town is well worth seeing because no one like Gervais has previously played the hapless hero in a high-concept film such as this one. With Gervais doing his familiar, hilariously discomfiting thing, it really doesn't matter ! what kind of movie Ghost Town is. Happily, it's a pretty good film in every respect. --Tom Keogh




Stills from Ghost Town (Click for larger image)

While developing a new system to maintain the town's defenses, genius student Claire Danvers discovers a way to use the vampires' powers to keep outsiders from spreadin! g news of Morganville's "unique" situation.

But when people in town start forgetting who they are-including the vampires-Claire has to figure out how to pull the plug on her experiment before she forgets how to save herself...and Morganville.

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Hard Rain: A Thriller (Vin Cooper)

• ISBN13: 9780553590029
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

The setting is the flood-ravaged, evacuated town of Huntingburg, where Tom (Slater), an armored car driver, is in deep danger. A gang of thieves (led by Freeman) figures the flood is their chance to heist the money Tom is transporting from local banks. But there’s one thing the gun-carrying criminals didn’t count on â€" Tom. Come hell or high water, he’s determined to deliver the money entrusted to him. But before he does, he’ll have to survive a relentless pursuit filled with close calls, floods, uncertain loyalties and heart-stopping heroics.It may not be a disaster movie, per se, but this terminally silly thriller is certainly disastrous, and would be pointless without the novelty of its set! ting in a flooding Midwestern town during a torrential rainfall. Physically impressive but idiotic in every other respect, the movie pits an armored truck courier (Christian Slater) against a smart leader of thieves (Morgan Freeman) and a corruptible town sheriff (Randy Quaid) who are vying for possession of $3 million in cash. A waterlogged game of cat and mouse, the plot is so contrived that even the most impressive action sequences--such as a jet-ski chase through flooded high-school corridors--are robbed of their already tenuous credibility. Before long you'll be yawning as incompetent accomplices are systematically dispatched by their own stupidity, in the kind of movie where the use of power boats inevitably leads to at least one death by outboard motor. What's impressive here is the physical production itself--the effect of flooding was created by building a huge replica of downtown Huntington, Indiana, in a huge, watertight aircraft hangar in Palmdale, California! --Jeff Shannon In his critically acclaimed Rain Fall, Bar ry Eisler introduced half Japanese-half American freelance hit man John Rain, a "dashing and dangerous hero...as likable as he is lethal."* Now Eisler's back. So is Rain, the master of death by "natural causes" whose new target threatens the fragile political balance of an entire country.Barry Eisler's half-breed freelance assassin John Rain returns to Tokyo for a second outing in Hard Rain, the sequel to Eisler's stunning 2002 debut, Rain Fall. Once again Rain is working with, or at least parallel to, Tatsu, a wily veteran of Japan's FBI equivalent, who aims to cleanse the Japanese government of its systemic corruption. To further this goal, he's persuaded the ever-cautious Rain to take out Murakami, a brutal gangster and hitman who specializes in making his killings look like suicide, a specialty Rain thought was his alone. Liquidating the dangerous and elusive Murakami proves to be a difficult task, however, one that leads to personal loss for Rain, and sets! the plot on course for a climax that hits with the power of a well-delivered roundhouse kick.

Eisler builds on Rain's self-enforced isolation and loneliness as he expertly shows the reader Tokyo as channeled by Chandler, transforming the burgeoning metropolis into a noir catacomb of dimly lit hostess bars, scheming bureaucrats, shadowy intelligence agents, and outlaw martial arts dojos where thugged-up yakuza train for illicit death matches.

While the plot becomes complicated toward the novel's conclusion, Rain is a refreshing and complex character whom readers will want to see return for another installment. If you've a yen for a thriller that mixes suspense, intrigue, and action with a Japanese flavor and a hardboiled American attitude, Eisler's Hard Rain is an excellent choice. --Benjamin ReeseA powerhouse cast churns up the action in this thrill-drenched story of an armored car driver battling armed crooks and the rampaging water! s of a killer flood. Studio: Paramount Home Video Release Da! te: 04/1 1/2006 Starring: Morgan Freeman Randy Quaid Run time: 96 minutes Rating: R Director: Mikael SalomonIt may not be a disaster movie, per se, but this terminally silly thriller is certainly disastrous, and would be pointless without the novelty of its setting in a flooding Midwestern town during a torrential rainfall. Physically impressive but idiotic in every other respect, the movie pits an armored truck courier (Christian Slater) against a smart leader of thieves (Morgan Freeman) and a corruptible town sheriff (Randy Quaid) who are vying for possession of $3 million in cash. A waterlogged game of cat and mouse, the plot is so contrived that even the most impressive action sequences--such as a jet-ski chase through flooded high-school corridors--are robbed of their already tenuous credibility. Before long you'll be yawning as incompetent accomplices are systematically dispatched by their own stupidity, in the kind of movie where the use of power boats inevitably leads to ! at least one death by outboard motor. What's impressive here is the physical production itself--the effect of flooding was created by building a huge replica of downtown Huntington, Indiana, in a huge, watertight aircraft hangar in Palmdale, California! --Jeff Shannon In his critically acclaimed Rain Fall, Barry Eisler introduced half Japanese-half American freelance hit man John Rain, a "dashing and dangerous hero...as likable as he is lethal."* Now Eisler's back. So is Rain, the master of death by "natural causes" whose new target threatens the fragile political balance of an entire country.Barry Eisler's half-breed freelance assassin John Rain returns to Tokyo for a second outing in Hard Rain, the sequel to Eisler's stunning 2002 debut, Rain Fall. Once again Rain is working with, or at least parallel to, Tatsu, a wily veteran of Japan's FBI equivalent, who aims to cleanse the Japanese government of its systemic corruption. To further this goal! , he's persuaded the ever-cautious Rain to take out Murakami, ! a brutal gangster and hitman who specializes in making his killings look like suicide, a specialty Rain thought was his alone. Liquidating the dangerous and elusive Murakami proves to be a difficult task, however, one that leads to personal loss for Rain, and sets the plot on course for a climax that hits with the power of a well-delivered roundhouse kick.

Eisler builds on Rain's self-enforced isolation and loneliness as he expertly shows the reader Tokyo as channeled by Chandler, transforming the burgeoning metropolis into a noir catacomb of dimly lit hostess bars, scheming bureaucrats, shadowy intelligence agents, and outlaw martial arts dojos where thugged-up yakuza train for illicit death matches.

While the plot becomes complicated toward the novel's conclusion, Rain is a refreshing and complex character whom readers will want to see return for another installment. If you've a yen for a thriller that mixes suspense, intrigue, and action with a Japanese ! flavor and a hardboiled American attitude, Eisler's Hard Rain is an excellent choice. --Benjamin ReeseIn his critically acclaimed Rain Fall, Barry Eisler introduced half Japanese-half American freelance hit man John Rain, a "dashing and dangerous hero...as likable as he is lethal."* Now Eisler's back. So is Rain, the master of death by "natural causes" whose new target threatens the fragile political balance of an entire country.DROP ZONE/HARD RAIN - DVD MovieTwelve bones are missing.
 
When a U.S. colonel is found murdered in his Istanbul home, the grisliest detail is the one that links his murder to another that soon follows. To Special Agent Vin Cooper, it looks like there’s a serial killer at large in Turkey.
But looks can be deceiving.

Onetime lovers, now the uneasiest of partners, Vin Cooper and Special Agent Anna Masters follow a trail of clues from Istanbul to Iraq and beyond. The victims were not selected at random. What look! ed like ritual was rife with clues. As evidence of a conspirac! y snakes up the chain of command, these two seasoned special agents must dodge bullets, defuse bombs, and avoid being buried alive in their desperate effort to short-circuit a plan for world domination more audacious than they could ever have imagined.

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DALTRY CALHOUN ORIGINAL MOVIE POSTER

• SINGLE-SIDED REGULAR 27X41 NEW
• DESCRIPTION:  Authentic original (or specified high quality reproduction) one-sheet movie poster.
• SIZE: Approx 27x40 inches unless otherwise stated.

From Executive Producer Quentin Tarantino ... This quirky and heartwarming comedy stars Johnny Knoxville (THE DUKES OF HAZZARD) and Juliette Lewis (COLD CREEK MANOR, STARSKY & HUTCH) in a hilarious cast! Daltry Calhoun (Knoxville) is a wildly eccentric dreamer whose grass seed business has helped build up tiny Ducktown, Tennessee. But just as this local hero gets rolling on his riskiest and most grandiose plan ever, Daltry's past catches up with him in the form of a precocious teenage daughter (Sophie Traub) he's never known! Also starring David Koechner (THE DUKES OF HAZZARD) and Elizabeth Banks (SEABISCUIT).The Knoxville, Tennessee-set film, written by Bronson, is a dark comedy about a father (Kno! xville) struggling to keep his once lucrative Tennessee golfing empire intact when his estranged 14-year-old daughter (a gifted musician) is unexpectedly left in his care. Bonus Feature: -Bloopers -Deleted Scenes -Feature Commentary -Hollywood Comes To Tennessee: The Making of Daltry Calhoun -Blue Mother Tupelo's "Put Your Head On My Shoulder" Music Video -The B Team -Theatrical TrailerHephaestus Books represents a new publishing paradigm, allowing disparate content sources to be curated into cohesive, relevant, and informative books. To date, this content has been curated from Wikipedia articles and images under Creative Commons licensing, although as Hephaestus Books continues to increase in scope and dimension, more licensed and public domain content is being added. We believe books such as this represent a new and exciting lexicon in the sharing of human knowledge. This particular book is a collaboration focused on Films set in Tennessee.PRODUCT DESCRIPTION: At Moviestore we have an unbeatable range of both original and classic high quality reproduction movie posters. Movie poster art is a wonderful collectible item and great for home or office decor. We have been in business for 16 years so you can buy with confidence. Our guarantee - if you are not fully satisfied with your purchase from Moviestore we will gladly refund your mone! y.

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The Chumscrubber Poster Movie UK 27x40

• Approx. Size: 27 x 40 Inches - 69cm x 102cm
• Size is provided by the manufacturer and may not be exact
• The Amazon image in this listing is a digital scan of the poster that you will receive
• The Chumscrubber UK Style A 27 x 40 Inches Poster
• Packaged with care and shipped in sturdy reinforced packing material

The Chumscrubber is a darkly satiric story about life crumbling in the midst of a seemingly idyllic suburbia.A guy holding his own head, a look from The Chumscrubber. Funny . About our Ringer T: The Ringer T has made a fashion comeback, and ours is a popular favorite. This classic style is sure to impress even the most discerning t-shirt connoisseur with an eye for retro-coolness. Great for relaxing in comfort year-round.5.5 oz. 100% preshrunk cotton. Double-needled neck and trim. Standard fit..A guy holding his own head, a look from The Chumscrubber. ! Funny Tee, TShirt, Shirt. About our Jr. Ringer T-Shirt: Our womenrsquo;s ringer tees from Hyp are made of 100% fine cotton jersey.4.8 oz. 100% fine jersey cotton. Size up for a looser fit. Contrasting neck and cuff trim as well as contrasting stitching . .A guy holding his own head, a look from The Chumscrubber. Funny . About our Baseball Jersey: Our 100% cotton Baseball Jersey is a sporty hit with both men and women whether you're in the game or just looking the part in great run-around casual-wear. Choose red, blue or black sleeves. 6.1 oz. 100% heavyweight cotton. Standard fit. 3/4 length contrasting raglan sleeves.Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. The Chumscrubber is a 2005 dark comedy film directed by Arie Posin and written by Posin and Zac Stanford, starring an ensemble cast. The film focuses on the lack of communication between teenagers and their parents, and the prevalence! of prescription drugs in American society. The title of the f! ilm refe rs to a character that helps his friends to survive in a superficial world by keeping things authentic and is portrayed in form of a video game omnipresent in the teenagers' lives, in which a post-apocalyptic hero carries his severed head in his hand as he fights the forces of evil. One day in the fictional town Hillside in Southern California, the supplier of prescription medication to the students at the local high school, Troy Johnson (Josh Janowicz), commits suicide. Troy's friend Dean Stifle (Jamie Bell), who found the body, is prescribed further antidepressants by his father Bill (William Fichtner), a psychiatrist. The Chumscrubber reproduction poster print

Pop Culture Graphics, Inc is Amazon's largest source for movie and TV show memorabilia, poster and more: Offering tens of thousands of items to choose from. We also offer a full selection of framed posters..

Customer satisfaction is always guaranteed when you buy from Pop Culture Graphics,Inc

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Gnomeo and Juliet (Three-Disc Combo: Blu-ray 3D/Blu-ray/DVD + Digital Copy)

• From a director of Shrek 2 comes your chance to step into the secret world of garden gnomes -
• Perfect for the whole family, this fresh and funny makeover of one of the world's most timeless
• Caught up in a feud between neighbors, Gnomeo and Juliet must overcome as many obstacles as their
• But with flamboyant pink flamingoes and epic lawnmower races, can this young couple find lasting
• We just gnome it!Features include: -MPAA Rating: G -Format: Blu-Ray-Runtime: 84 minutes

A vengeful father escapes from hell and chases after the men who killed his daughter and kidnapped his granddaughter. Studio: Uni Dist Corp. (summit) Release Date: 05/31/2011 Starring: Nicolas Cage William Fichtner Run time: 104 minutes Rating: R Director: Patrick LussierTake lurid 1970s B movies about fast cars and loose women, add a dash of Nicolas Cage at his most deadpan, and sprinkle CG! I and 3D technology on top, and you've got Drive Angry 3D. Damned badass Milton (Cage) literally busts out of hell to rescue his infant granddaughter from a Satan-worshiping cult leader named Jonah King (Billy Burke from the Twilight movies). On his way Milton picks up Piper (Amber Heard), a blond waitress with a bad attitude and a worse boyfriend. But hot on their trail is the Accountant (William Fichtner), a demonic emissary of ambiguous intentions but unstoppable power. From there it's a series of car chases, shootouts, and sex scenes, and sometimes sex scenes that are also shootouts (a bit that was done better, it must be said, in the underrated Shoot 'Em Up). Don't ask for coherence or common sense; this is a movie where pretty much any character's main motivation can be summed up as sheer cussedness. Drive Angry 3D maintains a general sleazy good humor, and Fichtner at least is enjoying himself--he's giving exactly the kind of unexpected, o! ffbeat performance that Cage used to specialize in. (Cage hims! elf is p retty lackluster here, sadly, and wearing one of his worst hairpieces to boot.) This is self-conscious trash; think of it as a companion piece, both in intention and quality, to Quentin Tarentino and Robert Rodriguez's Grindhouse compilation. --Bret FetzerIn the high-octane, action-adventure DRIVE ANGRY, Nicolas Cage stars as an undead felon who breaks out of hell to avenge his murdered daughter and rescue her kidnapped baby from a band of cult-worshipping savages. Joined by tough-as-nails Piper (Amber Heard), the two set off on a rampage of redemption, all while being pursued by an enigmatic killer (William Fichtner) who has been sent by the Devil to retrieve Milton and deliver him back to hell.Take lurid 1970s B movies about fast cars and loose women, add a dash of Nicolas Cage at his most deadpan, and sprinkle CGI and 3D technology on top, and you've got Drive Angry 3D. Damned badass Milton (Cage) literally busts out of hell to rescue his infant grand! daughter from a Satan-worshiping cult leader named Jonah King (Billy Burke from the Twilight movies). On his way Milton picks up Piper (Amber Heard), a blond waitress with a bad attitude and a worse boyfriend. But hot on their trail is the Accountant (William Fichtner), a demonic emissary of ambiguous intentions but unstoppable power. From there it's a series of car chases, shootouts, and sex scenes, and sometimes sex scenes that are also shootouts (a bit that was done better, it must be said, in the underrated Shoot 'Em Up). Don't ask for coherence or common sense; this is a movie where pretty much any character's main motivation can be summed up as sheer cussedness. Drive Angry 3D maintains a general sleazy good humor, and Fichtner at least is enjoying himself--he's giving exactly the kind of unexpected, offbeat performance that Cage used to specialize in. (Cage himself is pretty lackluster here, sadly, and wearing one of his worst hairpieces to boot.! ) This is self-conscious trash; think of it as a companion pie! ce, both in intention and quality, to Quentin Tarentino and Robert Rodriguez's Grindhouse compilation. --Bret FetzerA vengeful father escapes from hell and chases after the men who killed his daughter and kidnapped his granddaughter. Studio: Uni Dist Corp. (summit) Release Date: 05/31/2011 Starring: Nicolas Cage William Fichtner Run time: 104 minutes Rating: R Director: Patrick LussierTake lurid 1970s B movies about fast cars and loose women, add a dash of Nicolas Cage at his most deadpan, and sprinkle CGI and 3D technology on top, and you've got Drive Angry 3D. Damned badass Milton (Cage) literally busts out of hell to rescue his infant granddaughter from a Satan-worshiping cult leader named Jonah King (Billy Burke from the Twilight movies). On his way Milton picks up Piper (Amber Heard), a blond waitress with a bad attitude and a worse boyfriend. But hot on their trail is the Accountant (William Fichtner), a demonic emissary of ambiguous intention! s but unstoppable power. From there it's a series of car chases, shootouts, and sex scenes, and sometimes sex scenes that are also shootouts (a bit that was done better, it must be said, in the underrated Shoot 'Em Up). Don't ask for coherence or common sense; this is a movie where pretty much any character's main motivation can be summed up as sheer cussedness. Drive Angry 3D maintains a general sleazy good humor, and Fichtner at least is enjoying himself--he's giving exactly the kind of unexpected, offbeat performance that Cage used to specialize in. (Cage himself is pretty lackluster here, sadly, and wearing one of his worst hairpieces to boot.) This is self-conscious trash; think of it as a companion piece, both in intention and quality, to Quentin Tarentino and Robert Rodriguez's Grindhouse compilation. --Bret FetzerMaster diver frank mcguire leads a team-including his 17-year-old son-to explore the largest most beautiful and least accessibl! e cave system on earth. But when a tropical storm cuts off the! ir only escape route the team must work together to find their way through an uncharted and dangerous labyrinth. Studio: Uni Dist Corp. (mca) Release Date: 06/07/2011 Starring: Richard Roxburgh Ioan Gruffudd Run time: 109 minutes Rating: R Director: Alister GriersonIf there's an undersea adventure with high-tech equipment, macho posturing, and lots of underwater photography, you know James Cameron must be swimming around the vicinity. Add the fact that Sanctum was released to theaters in 3-D, and it's clinched. Cameron served as executive producer to this crazy tale of a cave-diving expedition forced to improvise when a typhoon inundates their New Guinea location. (The film, shot in Australia, is allegedly based on a true event by co-screenwriter Andrew Wight, but it might be safe to conclude that the original incident was a jumping-off point for the high melodrama on display here.) A globetrotting billionaire (Ioan Gruffudd, of Fantastic Four) is underwritin! g this exploration of a hidden cave maze, which explains why he gets to bring his girlfriend (Alice Parkinson) along. As a measure of their thrill-seeking habits, we are told they met on an Everest climb. The cave-diving boss is a crusty old pro (Richard Roxburgh), who is rough on his underlings and even rougher on his teenage son (Rhys Wakefield); naturally, the cataclysm that follows will be an occasion for some extreme father-son fence mending. As cornball as these elements are, and as generally toneless as director Alister Grierson's ear is with the dialogue scenes, Sanctum does work up some bona fide thrills: the sheer power of water is unleashed at a few memorable spots, as is the panic of losing an oxygen tank at a crucial moment. It's also pretty brutal, with a steep body count and a few grotesque bits of bodily injury. It ought to be easy to dismiss Sanctum as a silly piece of boy's adventure, but--curse you, Cameron!--one must admit that the thin! g is awfully effective. --Robert HortonThe buzz aroun! d The Green Hornet comes from the collision of weird talents involved: Seth Rogen plays the crime-fighting hero and writes the movie with his Superbad bud Evan Goldberg; pop star Jay Chou plays Kato; and the whimsy-headed Michel Gondry directs. Toss in Inglourious Basterds Oscar winner Christoph Waltz as a super-villain highly self-conscious about his brand, and you've got a blockbuster that definitely isn't going for the normal. And for a while, the movie's Apatovian comedy and bromantic tendencies supply some definite fun; plus, Waltz and his double-barreled revolver (along with an uncredited cameo by James Franco) launch the picture with a giddy opening action sequence. At some point, though, you want all this stuff to mesh, and The Green Hornet keeps zipping about in three directions at once, never quite maintaining its early comic zip, but not grounding itself in an engaging enough crime-fighting plot, either. And there's little to do for nominal fem! ale lead Cameron Diaz; although both millionaire playboy Britt Reid and Kato make half-hearted passes at her, it's clear their main interest is each other. You just knew a franchise that began as a radio serial in the 1930s (and took a brief but memorable detour into TV in the '60s) would end up being part of that unavoidable 21st-century genre, the male-bonding comedy. Of course, it's really a triangle. Their boss car, Black Beauty, also gets a lot of love. --Robert HortonThe fourth installment of the hugely successful Resident Evil franchise, Resident Evil: Afterlife is again based on the wildly popular video game series, and will this time be presented in 3-D. In a world ravaged by a virus infection, turning its victims into the Undead, Alice (Milla Jovovich), continues on her journey to find survivors and lead them to safety. Her deadly battle with the Umbrella Corporation reaches new heights, but Alice gets some unexpected help from an old friend. ! A new lead that promises a safe haven from the Undead takes th! em to Lo s Angeles, but when they arrive the city is overrun by thousands of Undead - and Alice and her comrades are about to step into a deadly trap.A barrage of 3-D effects enlivens Paul W.S. Anderson's Resident Evil: Afterlife, the fourth entry in the seemingly endless action-science fiction horror franchise based on the popular Capcom video game series. Plot, dialogue, and character development all remain secondary considerations; what's key here are the set pieces that allow Milla Jovovich to unleash maximum damage to virally infected zombies, villainous henchmen, and just about anyone else who stands in the way of her stopping the shadowy Umbrella Corporation. Jovovich retains the blend of grit and pulchritude that have made her a fanboy favorite (though said viewers may decry the film's bit of shower-scene interruptus), and she's well supported by returning cast members Ali Larter and Boris Kodjoe (Undercovers) and Prison Break's Wentworth Miller, who, as ! Claire's brother, is back behind bars in a postapocalyptic jail overrun by plague zombies. And the 3-D effects are impressive and give a shot of adrenaline to the already hyper-driven action and CGI elements. Those looking for more than what the Resident Evil franchise is designed to provide--souped-up, B-movie thrills--are advised to lower their expectations; franchise devotees should be pleased, especially by the film's final scene, which (naturally) sets up another sequel. --Paul GaitaMilton è un ex galeotto indurito dalla vita che viene rispedito sulla Terra dall'inferno per la sua ultima possibilità di redenzione: deve fermare e sgominare con le cattive una setta satanica che gli ha ucciso la figlia e ha intenzione di sacrificare la nipotina alla prima notte di luna piena per aprire le porte all'avvento del demonio. Ad aiutarlo c'è Piper, una giovane e sexy cameriera che mette l'auto del suo ex fidanzato a disposizione delle imprese di Milton, ch! e però se la deve vedere anche con la polizia che è sull! e sue tr acce e con un misterioso killer noto come "Il contabile" che è stato inviato dal Diavolo in persona per riportare Milton nel mondo dei morti.Follows an elite hit man as he teaches his trade to an apprentice who has a connection to one of his previous victims. Studio: Sony Pictures Home Ent Release Date: 05/17/2011 Starring: Jason Statham Donald Sutherland Run time: 93 minutes Rating: R Director: Simon WestThe 1972 version of The Mechanic is a tough-minded action film that reflects its disillusioned era. While no masterpiece, it does get points for the retro-coolness of prime-era Charles Bronson, cast as an ice-cold hit man who begins teaching the tricks of the trade to a young apprentice. So the prospect of a 2011 remake isn't especially sacrilegious, and handing the central role to 21st-century tough guy Jason Statham is a logical choice; Statham's got the moves, the voice, and the three-day stubble necessary for the role. In some fairly significant ways, th! ough, the remake backs away from the hardness of the original and settles for a less daring approach. Director Simon West (Con Air) manages to make even New Orleans locations seem monotonous, as he covers everything in a baked-butterscotch glaze and surrounds his antihero with the sleekest, most boring kind of modern hardware (the old skool LP turntable is a nice exception). Statham stays in his locked-down key throughout, while, as his student, Ben Foster--somewhat less jittery here than in the likes of 3:10 to Yuma or Alpha Dog--strides into one reckless situation after another. Playing peripheral roles as members of the hit man's shadowy network, Donald Sutherland and Tony Goldwyn successfully read their lines. The actual targets of the hits are creepy enough so that we aren't unduly troubled by Statham's line of work, and the ending falls far short of the memorable original. A take-no-prisoners approach to violence makes this seem even more like an ! empty exercise. --Robert HortonStudio: Sony Pictures Ho! me Ent Release Date: 01/11/2011 Run time: 89 minutes Rating: RDebating the merits of Piranha 3D, director Alexandre (Mirrors) Aja's testosterone-driven valentine to Joe Dante's 1978 original and the excesses of '80s genre films in general, is a fool's errand; it is, after all, a movie about prehistoric fish preying on hormonal partygoers in various states of undress--and in 3D, mind you--so any review must answer the question--does it deliver what its key audience (young men, ages 14 to 24) require? On that front, the answer is an unequivocal yes. Special effects creators Greg Nicotero and Howard Berger present a veritable buffet of gruesome ways for the thinly drawn characters to die, from a piranha burrowing through a swimmer's head to the horrible encounter between a boat propeller and a longhaired victim. The sheer amount of nudity on display rivals a week's worth of Cinemax late-night screenings, rendered all the more excessive in 3D; as for the gimmick itself,! it lends some unsettling depth to the underwater attacks. In short, if one attends Piranha 3D for grindhouse-style yucks, it's bound to be a rollicking good time. All others may find its relentless, Red Bull drive wearying; the whole affair is clearly meant to be a goof, just as Dante's original (produced by Roger Corman and penned by John Sayles) was, but where Dante's target was monster movie camp of the '50s and '60s (as well as Jaws), Aja and writers Peter Goldfinger and Josh Stolberg take aim at either cynical zeitgeist elements like the Girls Gone Wild series (with Jerry O'Connell striking the right tone as its craven creator) or hapless partygoers, which leaves an unpleasant aftertaste of misanthropy. Where the film does succeed is in its supporting cast, which strikes the same winking tone as Dante's version; Richard Dreyfuss and Christopher Lloyd poke fun at their Jaws and Back to the Future roles, while Adam Scott, comic Paul Sc! heer, and Eli Roth give appropriately broad turns. Elizabeth S! hue, of all people, is the sheriff hero and acquits herself well to the absurd story line, as do Steven R. McQueen (yes, Steve's grandson) and Gossip Girl's Jessica Szohr as the film's Young Lovers. Again, taking issue with Piranha 3D is like finding fault with a cheeseburger for being greasy, but for those expecting a full-course meal, the fish get all the big bites here. --Paul GaitaFrom a director of Shrek 2 comes your chance to step into the secret world of garden gnomes - Gnomeo & Juliet. Perfect for the whole family, this fresh and funny makeover of one of the world's most timeless story features music from Sir Elton John, and the voice talents of Emily Blunt, James McAvoy and sir Michael Caine. Caught up in a feud between neighbors, Gnomeo and Juliet must overcome as many obstacles as their namesakes. But with flamboyant pink flamingoes and epic lawnmower races, can this young couple find lasting happiness? Complete with hilarious never-before-seen bo! nus features, Gnomeo & Juliet is an out-of-the-ordinary animated comedy your entire family will love. We just gnome it!It's the age-old story of forbidden love between feuding families, but Shakespeare's classic tragedy Romeo and Juliet becomes quite a comedy when the young lovers in question are different-colored gnomes from backyards on opposite sides of a tall wooden fence. Lured out of their respective gardens by wanderlust and an exotic orchid, Gnomeo (James McAvoy) and Juliet (Emily Blunt) meet and instantly fall in love. Their forbidden love blossoms with a little help from a plastic pink flamingo named Featherstone (Jim Cummings), and soon life-threatening lawnmower races ensue, an epic battle is staged, and wisteria trees and gnome hats are hacked to bits in the process. Shakespeare himself (Patrick Stewart) makes an appearance and declares that, while this story bears a marked resemblance to one of his own, he's not sure it will end in quite the same way. ! Shakespunian nuggets of wisdom include "A weed is by any other! name, s till a weed," and that fairness demands "a hat for a hat," and of course the philosophical question "What's in a gnome?" just has to be asked. Executive producer Elton John's penchant for over-the-top showmanship finds a perfect home in the gnomes' elaborate backyard sets, and his musical score is an effective blend of classic and original songs, including a new collaboration with Lady Gaga called "Hello, Hello." Other legendary musicians lending their talents to the voice cast include Dolly Parton and Ozzy Osbourne. This film is funny, engaging, and, with the possible exception of one particularly scantily clad gnome, appropriate for the whole family. (Ages 5 and older) --Tami Horiuchi

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Film Noir Classic Collection, Vol. 3 (Border Incident / His Kind of Woman / Lady in the Lake / On Dangerous Ground / The Racket)

• Five more film noirics lined up with genre stars such as Robert Mitchum, Robert Montgomery, Robert Ryan, and Jane Russell, are now available in Volume 3 of the Film Noir Classics Collection series. The new 6-Disc DVD set is only available as a collection and includes a bonus documentary disc on the Noir genre. Format: DVD MOVIE Genre: TELEVISION Rating: NR Age: 012569761247

Genre: LGBT Action/Adventure
Dangerous Ground; Previous Book: Old Poison

Special Agents for the Department of Diplomatic Security, Taylor MacAllister and Will Brandt have been partners forever and lovers for three months, but their new relationship is threatened when Will is offered a plum two-year assignment in Paris.

Will believes the posting only means postponing what they both want. Taylor fears that kind of separation will mean the end of their new and still-fragile relationship. It’s a! bad time to find themselves in the middle of the New Mexico wilderness responsible for the health and welfare of a suspected terrorist. Especially when everyone else they run into seems determined to see their prisoner -- and them -- dead.

Publisher's Note: This book contains explicit sexual content, graphic language, and situations that some readers may find objectionable: Male/male sexual practices.Genre: LGBT Action/Adventure
Dangerous Ground; Previous Book: Old Poison

Special Agents for the Department of Diplomatic Security, Taylor MacAllister and Will Brandt have been partners forever and lovers for three months, but their new relationship is threatened when Will is offered a plum two-year assignment in Paris.

Will believes the posting only means postponing what they both want. Taylor fears that kind of separation will mean the end of their new and still-fragile relationship. It’s a bad time to find themselves in the middle of the New Mex! ico wilderness responsible for the health and welfare of a sus! pected t errorist. Especially when everyone else they run into seems determined to see their prisoner -- and them -- dead.

Publisher's Note: This book contains explicit sexual content, graphic language, and situations that some readers may find objectionable: Male/male sexual practices.Genre: LGBT Action/Adventure Suspense
Series: Dangerous Ground; Previous Book: Blood Heat

Like your heroes tall, dark and dangerous? Meet Loose Id's Men of Mystery.

The boys are back in town -- and Paris is burning!

For Special Agents of the Department of Diplomatic Security, Taylor MacAllister and Will Brandt, the strain of a long distance relationship is beginning to tell after eleven months of separation. A romantic holiday could be just the thing to bridge the ever-growing distance, but when Taylor spots a terrorist from the 70s, long believed dead but very much alive, it’s c’est la vie.

Now instead of sipping wine and seeing the sights, t! he boys are chasing a wily and deadly foe through the graveyards and catacombs of Paris.

Of course, it could always be worse -- and soon it is.

Publisher's Note: This book contains explicit sexual content, graphic language, and situations that some readers may find objectionable: male/male sexual practices.Genre: LGBT Action/Adventure Suspense
Series: Dangerous Ground; Previous Book: Blood Heat

Like your heroes tall, dark and dangerous? Meet Loose Id's Men of Mystery.

The boys are back in town -- and Paris is burning!

For Special Agents of the Department of Diplomatic Security, Taylor MacAllister and Will Brandt, the strain of a long distance relationship is beginning to tell after eleven months of separation. A romantic holiday could be just the thing to bridge the ever-growing distance, but when Taylor spots a terrorist from the 70s, long believed dead but very much alive, it’s c’est la vie.

Now instead of sipping w! ine and seeing the sights, the boys are chasing a wily and dea! dly foe through the graveyards and catacombs of Paris.

Of course, it could always be worse -- and soon it is.

Publisher's Note: This book contains explicit sexual content, graphic language, and situations that some readers may find objectionable: male/male sexual practices.Ice Cube and Elizabeth Hurley in the tale of a South African freedom fighter who returns home after 14 years in exile for his father's funeral. Apartheid is over, but now the drug wars are destroying his people...and his brother is missing in action.An odd combination of consciousness-raising and run-of-the-mill action, Dangerous Ground features Ice Cube, mostly unbelievably, as a one-time South African native named Vusi. Vusi came to America at age 14 to escape police repression, and eventually reinvented himself as an American scholar and community-oriented volunteer. Called back to the old country to bury his father, Vusi discovers the new South Africa under Mandela, but also gets a s! nootful of the nation's surge in crime and drug usage. Sent to Johannesburg to retrieve a long-missing brother, Vusi allies himself with a coke-addicted stripper (Elizabeth Hurley) who knows the vanished man. The script and direction by Darrell James Roodt (Cry, the Beloved Country) seems to be serving various masters: viewers interested in epochal changes in South Africa, and viewers who want to kick back and watch a suspense movie about drugs, a hooker, and a nasty crime lord (Ving Rhames). The result is unwieldy, and Cube's thumping performance doesn't do much to bridge the gap. --Tom Keogh

Somethings hot in Seattle, and its not just the espresso.

The Seattle Steam series.

 Madisons needs are simple. All she wants are two things: Make Ooo La Latt the newest trend in espresso, and seduce the sexiest cop in Seattle. But things arent going exactly as planned. First, Gabes a little hung up on the fact that shes his best friends! little sister, and hes determined to keep his hands off. Seco! nd, her shop gets robbed by the increasingly violent Espresso Bandit, and now shes the only one who can identify him. Gabe whisks her into hiding for her own protection, but soon finds his heart is under assault by the lusciousand persistentMadison. But no matter where they hide, danger follows. On such dangerous grounds, the trick will be to live long enough to keep the flame alive.


Excerpt. © Reprinted by permission. All rights reserved.

It took almost another hour before she slipped into a light sleep, and instead of being comforted, she found herself reliving the robbery. Except this time, the robber pulled the trigger.

She jerked upright with a cry, dragging the sheets around her. A moment later her door burst open and Gabe's silhouette filled the doorway.

"Maddie?" He shut the door and came over to the bed. "What's wrong? I heard you cry out."

She turned her head away before he could see the shine of tears in! her eyes.

The dream had been too real.

"Did you dream about him?" Gabe asked, his voice soft. "It's all right, Maddie. It's normal. I haven't seen you break down once yet."

"I'm not the type to break down," she mumbled. She urged herself to regain control and not lose it. But the back of her throat burned from choking back the tears, and soon she stopped fighting.

The tears ran down her cheeks and she kept her face averted, trying to hide them.

"Maddie..." He pulled her unresisting body into his arms, sliding back against the bedpost to support them. She buried her head against his chest.

"It's just sexual tension combined with the post-traumatic stress." She tried to laugh and it came out choked. "Nothing to worry about. It'd all go away if you'd just have sex with me."

"You don't need to make it a joke, Maddie," he murmured. "It's nothing to be ashamed or embarrassed about."

Wasn't i! t? She hated that she was crying on Gabe's shoulder. He was al! ways so controlled and seemed so kept together. And now, in between pathetic attempts to seduce him, she sat here bawling her eyes out on his chest. His naked chest. Hmm. She hadn't noticed that before.

She blinked the last of her tears away and became quite aware of the rapid pounding of Gabe's heart.

Maybe he wasn't as controlled as he'd have her believe.

She kept her head against his chest. "You're not immune to me, Gabe."

His hand that had been stroking her hair stilled, and then resumed its comforting movements.

"I never said I was."

"Then why--"

"Just sleep, Maddie," he interrupted, his voice gentle. "I'll stay here with you, if you'd like. But only to sleep."

Madison considered her options. Having Gabe in bed with her would be a major temptation to attempt to seduce him again. It'd be better just to send him back to his own bed. But then the thought of being alone, with the possibility o! f more nightmares, made it an obvious choice.

"I'd like you to stay, and I promise not to touch you. Tonight. Deal?"

He gave a soft laugh and maneuvered them so that they were lying down next to each other.

"Deal."Something's hot in Seattle, and it's not just the espresso. Madison's needs are simple. All she wants are two things: Make Ooo La Latte the newest trend in espresso, and seduce the sexiest cop in Seattle. But things aren't going exactly as planned.

First, Gabe's a little hung up on the fact that she's his best friend's little sister, and he's determined to keep his hands off. Second, her shop gets robbed by the increasingly violent Espresso Bandit, and now she's the only one who can identify him.

Gabe whisks her into hiding for her own protection, but soon finds his heart is under assault by the luscious--and persistent--Madison. But no matter where they hide, danger follows. On such dangerous grounds, the trick ! will be to live long enough to keep the flame alive.

Someth! ing's ho t in Seattle, and it's not just the espresso. Madison's needs are simple. All she wants are two things: Make Ooo La Latte the newest trend in espresso, and seduce the sexiest cop in Seattle. But things aren't going exactly as planned.

First, Gabe's a little hung up on the fact that she's his best friend's little sister, and he's determined to keep his hands off. Second, her shop gets robbed by the increasingly violent Espresso Bandit, and now she's the only one who can identify him.

Gabe whisks her into hiding for her own protection, but soon finds his heart is under assault by the luscious--and persistent--Madison. But no matter where they hide, danger follows. On such dangerous grounds, the trick will be to live long enough to keep the flame alive.

Someone from DSS Special Agent Taylor MacAllister’s past -- the past he doesn’t discuss with his partner and now-lover Will Brandt -- wants him scared. Dead scared. Or maybe just dead. Will fears the pas! t will end a future romance. Or any future at all.

(This book was previously released through Loose Id Publishing.)Someone from DSS Special Agent Taylor MacAllister’s past -- the past he doesn’t discuss with his partner and now-lover Will Brandt -- wants him scared. Dead scared. Or maybe just dead. Will fears the past will end a future romance. Or any future at all.

(This book was previously released through Loose Id Publishing.)

The USS Memphis, a dilapidated submarine that that should have been mothballed decades ago, has been given one last mission by the newly elected president. The task: To sneak illegally into Russia's coastal waters and recon the leaking nuclear fuel containers hidden on the floor of the Arctic Ocean. More than just an environmental nightmare, this radioactive burial ground houses enough nuclear capability to destroy most of America's major cities.
The Memphis's commander, Lowell Hardy, had been looking forward to fla! g rank and pleasant duty upon the sub's decommissioning. Now h! e is tra pped in an inconceivably dangerous and illegal mission which could easily end his career, if not his life and the lives of his crew. But it's the crew who feel Hardy's tension as he tyrannizes everyone on board to ensure they'll be ready for anything:
Jerry Mitchell: a former naval pilot with political connections, he is a novice submariner, unprepared for his demanding job as a weapons officer. Central to the Memphis's mission, Mitchell may be its greatest liability . . . or its ultimate salvation.
Dr. Joanna Patterson: The senior civilian scientist, appointed by and reporting to the president, she is a world-class expert on nuclear fuel contamination--and every bit as demanding as Hardy. Patterson and her partner, Dr. Emily Davis, soon find themselves battling flaring tempers, faulty machinery, lethal radioactivity, and the raging arctic seas.
The submariners: Seething with rage at their Captain Bligh-like commander and the equally domineering Joanna Patters! on, they are also at war with Jerry Mitchell, and one another. Like the captain, they feel they deserve better, not this antiquated relic, not this hostile scientist, not this novice weapons officer, and definitely not this disastrously dangerous mission.
Nor is the mission what it seems. Lurking beneath the frigid, black, radioactive waters is a secret far more deadly than anything naval command could imagine--a secret so menacing the Russian Fleet is hell-bent on destroying the Memphis and all who sail in her.

The USS Memphis, a dilapidated submarine that that should have been mothballed decades ago, has been given one last mission by the newly elected president. The task: To sneak illegally into Russia's coastal waters and recon the leaking nuclear fuel containers hidden on the floor of the Arctic Ocean. More than just an environmental nightmare, this radioactive burial ground houses enough nuclear capability to destroy most of America's major! cities.
The Memphis's commander, Lowell Hardy, had been lo! oking fo rward to flag rank and pleasant duty upon the sub's decommissioning. Now he is trapped in an inconceivably dangerous and illegal mission which could easily end his career, if not his life and the lives of his crew. But it's the crew who feel Hardy's tension as he tyrannizes everyone on board to ensure they'll be ready for anything:
Jerry Mitchell: a former naval pilot with political connections, he is a novice submariner, unprepared for his demanding job as a weapons officer. Central to the Memphis's mission, Mitchell may be its greatest liability . . . or its ultimate salvation.
Dr. Joanna Patterson: The senior civilian scientist, appointed by and reporting to the president, she is a world-class expert on nuclear fuel contamination--and every bit as demanding as Hardy. Patterson and her partner, Dr. Emily Davis, soon find themselves battling flaring tempers, faulty machinery, lethal radioactivity, and the raging arctic seas.
The submariners: Seething with rage at t! heir Captain Bligh-like commander and the equally domineering Joanna Patterson, they are also at war with Jerry Mitchell, and one another. Like the captain, they feel they deserve better, not this antiquated relic, not this hostile scientist, not this novice weapons officer, and definitely not this disastrously dangerous mission.
Nor is the mission what it seems. Lurking beneath the frigid, black, radioactive waters is a secret far more deadly than anything naval command could imagine--a secret so menacing the Russian Fleet is hell-bent on destroying the Memphis and all who sail in her.

The USS Memphis, a dilapidated submarine that that should have been mothballed decades ago, has been given one last mission by the newly elected president. The task: To sneak illegally into Russia's coastal waters and recon the leaking nuclear fuel containers hidden on the floor of the Arctic Ocean. More than just an environmental nightmare, this radioactive burial gro! und houses enough nuclear capability to destroy most of Americ! a's majo r cities.
The Memphis's commander, Lowell Hardy, had been looking forward to flag rank and pleasant duty upon the sub's decommissioning. Now he is trapped in an inconceivably dangerous and illegal mission which could easily end his career, if not his life and the lives of his crew. But it's the crew who feel Hardy's tension as he tyrannizes everyone on board to ensure they'll be ready for anything:
Jerry Mitchell: a former naval pilot with political connections, he is a novice submariner, unprepared for his demanding job as a weapons officer. Central to the Memphis's mission, Mitchell may be its greatest liability . . . or its ultimate salvation.
Dr. Joanna Patterson: The senior civilian scientist, appointed by and reporting to the president, she is a world-class expert on nuclear fuel contamination--and every bit as demanding as Hardy. Patterson and her partner, Dr. Emily Davis, soon find themselves battling flaring tempers, faulty machinery, lethal radioactivity! , and the raging arctic seas.
The submariners: Seething with rage at their Captain Bligh-like commander and the equally domineering Joanna Patterson, they are also at war with Jerry Mitchell, and one another. Like the captain, they feel they deserve better, not this antiquated relic, not this hostile scientist, not this novice weapons officer, and definitely not this disastrously dangerous mission.
Nor is the mission what it seems. Lurking beneath the frigid, black, radioactive waters is a secret far more deadly than anything naval command could imagine--a secret so menacing the Russian Fleet is hell-bent on destroying the Memphis and all who sail in her.

Loretta Brown is mad at herself for not telling her best friend Xavier Johnson about the feelings she has for him; she’s been led to believe that he’s engaged. With the help of her friend Cookie she’ll prove to Xavier that she’s the woman for him.

Xavier has been trying to break out! of the “friend zone” with Loretta, for every step she tak! es towar d him she takes two steps back. He understands that she was in an abusive marriage and careful with her feelings, but he’s determined to breach that wall she’s built around her heart.

Unknown to Loretta her life is in danger from a mad man who blames her for his son’s death. Xavier uses all of his contacts in high places to ensure her safety, except that one man in question demands something from Xavier that may damage his relationship with Loretta or claim his life.

Excerpt:
Loretta locked the door as soon as she got inside her house. Loretta kicked her shoes off before she made her way into the kitchen. Just as she was reaching for a glass on the shelf she heard a knock at the front door. Who could it be at this time of night?

Loretta walked over to the front door; however, she didn’t open it. “Who is it?”

“It‘s me Loretta, open up.”

Loretta would recognize Xavier’s voice anywhere. She opened t! he door and let him in. “Xavier what are you doing here at this hour?”

Xavier barely got in the door good before he started talking about her date. “Did you enjoy your date tonight Loretta?” Xavier towered over her as if he was trying to intimidate her.

Loretta put her hands on her hips. “Xavier I don’t have to ask you or anyone else for permission to go out on a date.”

Xavier realized that he couldn’t intimidate Loretta, so tried another approach. “You know you don’t want him.”

“Since when have you become an authority on my wants and needs? For a man who’s suppose to be getting married, you sure are paying a lot of attention to my dating habits... ”

Xavier cut off Loretta’s tirade by kissing her thoroughly. When Loretta responded, Xavier wrapped his arms around her and pulled her closer to his body. “Whatever you’re looking for you don’t have to go chasing all over the city I got wh! at you need.”

Loretta was momentarily disoriented! . “Xav ier I won’t be the other woman.”

“Loretta, you’re the only woman.”

(For Adult Audiences, Sexually Explicit, Romance, Mystery)Loretta Brown is mad at herself for not telling her best friend Xavier Johnson about the feelings she has for him; she’s been led to believe that he’s engaged. With the help of her friend Cookie she’ll prove to Xavier that she’s the woman for him.

Xavier has been trying to break out of the “friend zone” with Loretta, for every step she takes toward him she takes two steps back. He understands that she was in an abusive marriage and careful with her feelings, but he’s determined to breach that wall she’s built around her heart.

Unknown to Loretta her life is in danger from a mad man who blames her for his son’s death. Xavier uses all of his contacts in high places to ensure her safety, except that one man in question demands something from Xavier that may damage his relationship with Lorett! a or claim his life.

Excerpt:
Loretta locked the door as soon as she got inside her house. Loretta kicked her shoes off before she made her way into the kitchen. Just as she was reaching for a glass on the shelf she heard a knock at the front door. Who could it be at this time of night?

Loretta walked over to the front door; however, she didn’t open it. “Who is it?”

“It‘s me Loretta, open up.”

Loretta would recognize Xavier’s voice anywhere. She opened the door and let him in. “Xavier what are you doing here at this hour?”

Xavier barely got in the door good before he started talking about her date. “Did you enjoy your date tonight Loretta?” Xavier towered over her as if he was trying to intimidate her.

Loretta put her hands on her hips. “Xavier I don’t have to ask you or anyone else for permission to go out on a date.”

Xavier realized that he couldn’t intimidate Loretta, so tried another appr! oach. “You know you don’t want him.”

“Since whe! n have y ou become an authority on my wants and needs? For a man who’s suppose to be getting married, you sure are paying a lot of attention to my dating habits... ”

Xavier cut off Loretta’s tirade by kissing her thoroughly. When Loretta responded, Xavier wrapped his arms around her and pulled her closer to his body. “Whatever you’re looking for you don’t have to go chasing all over the city I got what you need.”

Loretta was momentarily disoriented. “Xavier I won’t be the other woman.”

“Loretta, you’re the only woman.”

(For Adult Audiences, Sexually Explicit, Romance, Mystery)Five more film noir classics lined up with genre stars such as Robert Mitchum, Robert Montgomery, Robert Ryan, and Jane Russell, are now available in Volume 3 of the Film Noir Classics Collection series. The new 6-Disc DVD set is only available as a collection and includes a bonus documentary disc on the Noir genre.Two peak achievements by as many top noir di! rectors ... a customized vehicle for one of noir's premier icons ... an oddball experiment in making a truly "private eye" movie ... and a Howard Hughes remake of his earliest contribution to the gangster genre. Such are the five titles corralled for Warner Home Video's third box set of film noir classics.

For eye-popping dynamism coupled with ferocious intensity, no noir director matched Anthony Mann. Border Incident (1949) was Mann's and cinematographer John Alton's first film for MGM following a string of darkly dazzling low-budget beauties at Eagle-Lion (T-Men, Raw Deal, The Black Book, et al.). In structure it's virtually a remake of T-Men, transposed from the shadowy city where a Secret Service team battled counterfeiters, to California's Imperial Valley where the Immigration Service sets out to infiltrate a gang exploiting--and often murdering--Mexicans eager to work the farms. From the opening night scene of three laborers ! trying to recross the border and meeting a grisly end, the mov! ie relen tlessly imagines ways the human body can merge with the earth. Visually stunning, and replete with memorable villains (headed by Howard Da Silva, a past master at making affability lethal), this is one of Mann's strongest noirs and surely his most inventive. Its neglect can be explained only by people's assumption that nothing worthwhile could come of a movie top-billing Ricardo Montalban and George Murphy (as the government agents). Wrong, wrong, wrong.

After a scalding first reel in big-city night streets, Nicholas Ray's On Dangerous Ground (RKO, 1951) likewise forsakes familiar noir terrain for the countryside--the mountains and snowfields where city cop Robert Ryan seeks a psychotic killer. For both the actor and the director, Ryan's character is an exemplary creation: a man with personal demons whose overzealous pursuit of criminals has pushed him into sadism. His passage from urban darkness into the silent white mountain country becomes a redemptive jour! ney, thanks largely to his interaction with a blind woman (Ida Lupino) in an isolated farmhouse whose younger brother may be the quarry he's after. Ray developed the screenplay with A.I. Bezzerides under the supervision of producer John Houseman (for whom Ray had made his feature debut, They Live By Night). The film boasts a thrilling music score by Bernard Herrmann, anticipating his great soundtrack for North by Northwest.

His Kind of Woman (also RKO, 1951) is a vehicle for both RKO's reigning bad boy, Robert Mitchum, and Howard Hughes' definitive coup of distaff engineering, Jane Russell. Their characters cross paths en route to a seaside Mexican resort, where she aims to continue her gold-digger pursuit of Hollywood ham Vincent Price, and Mitchum will figure in a plot to get deported mobster Raymond Burr back into the U.S.A. The slow-brewing romance between this dauntingly tall, broad-shouldered pair gives off little heat, but the players' g! ood-natured, weary-pro rapport as they go through their mostly! prepost erous paces makes for very good fun. Still more is supplied by Price, who just about steals the movie when he gets to extend his subâ€"Errol Flynn screen heroism into real life--all the while supplying his own florid running commentary on the action. The urbane director John Farrow filled the movie with one delicious, what-the-hell-is-going-on-here scene after another (highlight: a bored Mitchum ironing his money), but that wasn't enough for studio boss Hughes. Richard Fleischer was brought in to stretch the climactic melodrama aboard Burr's yacht in the harbor, and the picture grew to an overblown two hours in length. Not that you're likely to regret a minute of it.

Robert Montgomery directed and played Phillip Marlowe in Lady in the Lake (MGM, 1947), Raymond Chandler's novel as adapted by Steve Fisher (I Wake Up Screaming). The gimmick is that, apart from a few scenes of private detective Marlowe chatting us up in his office, everything is view! ed through his eyes, with Marlowe himself remaining unseen unless he glances in a mirror. This literal-minded conceit is more curious than compelling; the camera simply doesn't see the way the human eye does, and the artificiality constantly calls attention to itself. Montgomery, a suave actor who enjoyed playing it coarse and obnoxious on occasion, makes his screen Marlowe more smartass than any other ("dumb, brave, and cheap"). With him cracking wise off-camera, much of the movie is really carried by Audrey Totter, a swell late-'40s dame who has to stand up under more relentless scrutiny than even her shifty character deserves.

The Racket (RKO, 1951) is the second film version of a 1920s play about municipal corruption, gangsterism, and the attempt to squash an honest police precinct captain. John Cromwell had acted in the original Broadway production, which may help explain why, as director, he let so much of this movie turn back into a play. Event! ually studio boss Howard Hughes, who had produced the 1928 fil! m versio n (directed by Lewis Milestone), once again called in another director to do salvage work.

That was Nicholas Ray, whose scenes include police captain Robert Mitchum's pursuit of the man who has just bombed his home. Mitchum's fellow cast members include Robert Ryan as the ultra-paranoid gangster; husky-voiced noir blonde Lizabeth Scott as a nightclub thrush romanced by Ryan's brother; future Perry Mason D.A. William Talman as a dedicated street cop; and Ray Collins and William Conrad as two municipal officials negotiating a delicate dance with morality and expediency. --Richard T. Jameson

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Assassin's Creed: Brotherhood

• Choose from multiple authentic character classes, each with their own signature weapons and killing moves.
• As Ezio, a legendary Master Assassin, experience over 15 hours of single player gameplay set in the living, breathing
• Recruit and train promising young Assassins. Deploy them across the city as you see fit, or call upon them to aid you in your quests
• Collaborate with real historical characters such as Leonardo da Vinci, Niccolo Machiavelli and Caterina Sforza
• Swiftly eliminate your enemies using tools such as poison darts, parachutes, double hidden blades, hidden guns

Live and breathe as Ezio, a legendary Master Assassin, in his enduring struggle against the powerful Templar Order. He must journey into Italy’s greatest city, Rome, center of power, greed and corruption to strike at the heart of the enemy. Defeating the corrupt tyrants entrenched there! will require not only strength, but leadership, as Ezio commands an entire Brotherhood who will rally to his side. Only by working together can the Assassins defeat their mortal enemies and prevent the extinction of their Order. And for the first time, introducing a never-before-seen multiplayer layer that allows you to choose from a wide range of Assassin characters, each with their own unique weapons and assassination techniques, and match your skills against other Assassins from around the world. It’s time to join the Brotherhood.

Assassin's Creed: Brotherhood is an epic action game for PlayStation 3 set across a blend of present and historical time periods, that places the player in the role of the leader of a Renaissance-era guild of assassins out for vengeance against the remnants of the Knights Templar. Set primarily in Rome, this sequel to the critically acclaimed Assassin's Creed II ! features returning characters from the previous game and inclu! des new features such as the ability to command members of your guild in combat, a new arsenal of weapons and multiplayer game support in which players can assume different assassin characters. Command the members of your assassin's guild in single player and become them in multiplayer. View larger. Explore the glory and faded grandeur of Renaissance-era Rome. View larger. Story Live and breathe as Ezio, a legendary Master Assassin, in his enduring struggle against the powerful Templar order. He must journey into Italy’s greatest city, Rome, center of power, greed and corruption to strike at the heart of the enemy. Defeating the corrupt tyrants entrenched there will require not only strength, but leadership, as Ezio commands an entire brotherhood of assassins who will rally to his side. Only by working together can the assassins defeat their mortal enemies and prevent the extinction of their order. Multiple Ways to Play Expanding on the game world woven across the first two games in the franchise, Assassin's Creed: Brotherhood provides players with mult! iple ways to play. In single player mode you take on an engrossing campaign playing as Ezio, the hero from Assassin's Creed II, who has now risen to the level of Master Assassin. Here players scour the expansive environment of Renaissance-era Rome, tasked with ridding the Eternal City of the continuing stain of the Templars and in the process ensuring the survival of the guild of assassins. You are not in this alone though. Additional AI members of your guild are at your command, and can be summoned to your aid if need be. In addition to this, for the first time in the Assassin's Creed franchise players can compete with other would-be assassins in multiplayer action. In multiplayer modes players choose from a range of Assassin characters, each with their own backstory, unique weapons and assassination techniques. Choose your assassin character, utilize the virtual reality capabilities of Abstergo Industries' Animus technology and match your skills against othe! r assassins from around the world. There's no time like now to! join th e Brotherhood. Deadly Weapons Arsenal Assassin's Creed: Brotherhood features a wide variety of weapons, depending on the mode of play. In single player players primarily utilize Ezio's weapons of choice, the hidden blade and crossbow, while in multiplayer modes players gain access to a wide variety of weapon, depending on the character they choose to play as. Examples of this include: the Axe, wielded by the Executioner; the Fan, used by the Courtesan; the Syringe, the tool by the Doctor; the Dagger, used by the Priest; the Switchblade, carried by the Prowler; and the Claw, used by the Nobleman. Key Game Features As Ezio, a legendary Master Assassin, experience over 15 hours of single player gameplay set in the living, breathing, unpredictable city of Rome. Recruit and train promising young Assassins. Deploy them across the city as you see fit, or call upon them to aid you in your quests. Collaborate with real hi! storical characters such as Leonardo DA Vinci, Niccolo Machiavelli and Caterina Sforza. Use your hard-won currency to revitalize the crumbling capital city. Rally the citizens to your cause and unlock extra factions and missions. Swiftly eliminate your enemies using tools such as poison darts, parachutes, double hidden blades, hidden guns, and an advanced flying machine at your disposal. Choose from multiple authentic character classes, each with their own signature weapons and killing moves. With richly-detailed maps and a wide variety of unique multiplayer modes, you’ll never fight the same way twice.

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