- Used - Like New
This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.
SPRUNG/HELD UP - DVD MovieRemove deeply embedded dirt from anywh! ere in your home or car. Ideal for cleaning stairs and auto up! holstery , this hand vacuum cleans with the help of a revolving brushroll with Riser Visor, a stretch hose and attachments for getting into tight spaces. The onboard crevice tool gets into those places too small for the brushroll. Hand-held but very powerful, this Eureka model eliminates the hassle of lugging around a full-size vacuum for cleaning car upholstery, sofas, and carpeted stairs. A long 20-foot cord (which wraps for storage) provides good reach, as does the deluxe hose that stretches to three times its length. With the crevice tool on the end of the hose, this vacuum reaches into all kinds of tight places. And, with two motors, one to power the revolving brush and one for suction, the 5.5 amp vacuum cleans deeply.One of Eureka's innovations is the Riser Visor, a clear plastic cover that stays down for cleaning horizontal surfaces and flips up so the revolving brush can reach the vertical carpet on stair risers. There's no bag to change, just a filter and clear plasti! c dust cup to shake out when necessary. --Ann Bieri
Once upon a time, Jill, Sabrina and Kelly were police officers whose skills were being wasted in menial duties such as answering phones and filing. A mysterious millionaire named Charles Townsend took them away from all that by opening his own private investigation agency and hiring these gorgeous ladies as his operatives with John Bosley acting as their assistant and liaison. America's guiltiest pleasure of 1976--the inaugural season of Charlie's Angels--has returned in all its jiggly, jolly glory in this tidy boxed set. It's hard to describe just how captivated the nation's! media and viewing public were with cheesemeister Aaron Spelling's ABC-TV hit, but for awhile Charlie's Angels was wildly popular appointment television at its most self-consciously banal. The first season's three (and best-remembered) belles--lioness Farrah Fawcett (then Farrah Fawcett-Majors), pin-up babe Jaclyn Smith, and Thinking Man's beauty Kate Jackson--were something like primetime Spice Girls, gracing countless magazine covers and bestselling posters. The idea (even if a fan of the show didn't happen to be a straight male) was that one was compelled to choose a favorite angel as a kind of ink-blot window onto one's subconscious life.
While the 2000 Angels feature film (starring Cameron Diaz, etc.) kept faith with the original show's self-mockingly sloppy storytelling, there's nothing like seeing the old episodes for a lesson in narrative hubris. Basically, the three leading characters were bored policewomen wooed away to a private firm owned and ! operated by the unseen sybarite, Charlie (voiced--over speaker! phone--b y an uncredited John Forsythe). After a long set-up each week, the girls' investigations typically saw them going undercover: as fashion models--no great stretch--in "Night of the Strangler"; nurses in "Terror on Ward One"; roller-derby stars in "Angels on Wheels"; and vulnerable convicts (of course) in "Angels In Chains." The exploitation factor is not as bad as it might have been. The cast was so glamorous, their chemistry so perfect, Charlie's Angels never became a mere meat market. Despite such nods to modernity as Fawcett's no-bra look, the episodes were old-fashioned in their heroine-in-peril appeal, yet there was a difference: The Angels looked out for themselves and each other. --Tom KeoghAdventure has never been more beautiful than Charlie's Angels! Cameron Diaz, Drew Barrymore and Lucy Liu star as the captivating crime-fighting trio who are masters of disguise, espionage and martial arts. When a devious mastermind embroils them in a plot to destroy in! dividual privacy, the Angels are on the spot with their brains, brawn and high-tech toys. Aided by their loyal sidekick Bosley (Bill Murray), the girls are about to bring down the bad guys when a terrible secret is revealed that makes the Angels a target of assassination. Now, it's a matter of life or death as the stunningly smart detectives use their state-of-the-art skills to kick evil's butt in this sexy, high-octane comedy!For every TV-into-movie success like The Fugitive, there are dozens of uninspired films like The Mod Squad. Happily--and surprisingly--this breezy update of the seminal '70s jiggle show falls into the first category, with Cameron Diaz, Drew Barrymore (who also produced), and Lucy Liu starring as the hair-tossing, fashion-setting, kung fu-fighting trio employed by the mysterious Charlie (voiced by the original Charlie, John Forsythe). When a high-tech programmer (Sam Rockwell) is kidnapped, the angels seek out the suspects, with the daff! y Bosley (Bill Murray in a casting coup) in tow. A happy, corn! ball pop corn flick, Charlie's Angels is played for laughs with plenty of ribbing references to the old TV show as well as modern caper films like Mission: Impossible. McG, a music video director making his feature film debut (usually a death warrant for a movie's integrity), infuses the film with plenty of Matrix-style combat pyrotechnics, and the result is the first successful all-American Hong Kong-style action flick. Plenty of movies boast a New Age feminism that has their stars touting their sexuality while being their own women, but unlike something as obnoxious as Coyote Ugly, Angels succeeds with a positive spin on Girl Power for the new millennium (Diaz especially sizzles in her role of crack super agent/airhead blonde). From the send-up of the TV show's credit sequence to the outtakes over the end credits, Charlie's Angels is a delight. --Doug ThomasAnother season of the hit classic series comes to DVD! This season, the A! ngels go on the Love Boat to investigate a major art theft, go back to college to stop a white slavery ring, and find more than just fingerprints when Charlie's yacht is stolen. Jill gets help from the Angels after her date with a crown prince is interrupted by sniper fire, and Kelly meets a man who may be her long-lost father.The Angels continue to fight the bad guys, with Jillâs little sister Kris taking her place and Charlie's voice guiding them all. Stars Jaclyn Smith, Kate Jackson and introducing Cheryl Lad. Includes all 26 episodes from the second season.Charlie's Angels: The Complete Second Season has no shortage of the good-natured cheese and eye candy that made the primetime television show's debut season wildly popular in 1976. The Angels had a new look in their second year: Farrah Fawcett, arguably the most popular of the show's three actresses, departed before the sophomore season and was replaced by another blonde dazzler, Cheryl Ladd. (Ladd's characte! r, Kris Munroe, was the younger sister of Fawcett's Jill Munro! e, whose exit is explained in the premiere episode as a liberated woman's career move: Jill has decided to race cars in Spain.)
No sooner does Kris settle in than a crisis sweeps through off-screen Charlie's private investigation agency. While cavorting on Oahu in the two-part "Angels in Paradise," Charlie is kidnapped by a smuggler (France Nuyen), who demands the Angels break her husband out of jail in exchange for their boss's life. Bubbly Kris, brainy Sabrina Duncan (Kate Jackson), beauteous Kelly Garrett (Jaclyn Smith), and sidekick Bosley (David Doyle) are compelled to soak up rays and sip fruity mixed drinks in Waikiki while fighting crime in various guises, re-establishing, for another season, Charlie's Angels' dramatic and aesthetic game plan for every episode: start slow with lots of idle chatter, put the girls in a ridiculous undercover situation, and get them out of their clothes as much as possible.
The pattern continues in the silly "Angels on Ice," star! ring old hands Phil Silvers and Jim Backus, in which our heroines join an ice show to find out who kidnapped a pair of skaters. "Pretty Angels All in a Row" finds Kelly and Kris reluctant entrants in a "Miss Chrysanthemum Pageant" (no, you won't find Kate Jackson in a swimsuit this year, either) rigged by organized crime. "Circus of Terror," co-starring James Darren, enlists the Angels in the carney life. If there is anything to complain about regarding season 2, it is that the novelty of Charlie's Angels has worn a little thin, and every episode feels the same. Still, there are surprises: "The Sammy Davis Jr. Kidnap Caper" stars the late rat-packer in peril and much bemused by the presence of three comely bodyguards. --Tom KeoghMillionaire Charles Townsend starts up his own private investigation firm and hires three female police officers as his investigators.
Genre: Television
Rating: NR
Release Date: 4-JUL-2006
Media Typ! e: DVDThey're back, they're beautiful, and they mean busin! ess--but in a sweet way. Charlie's Angels: The Complete Third Season finds Kris Munroe (Cheryl Ladd), sister of departed Angel Jill Munroe (Farrah Fawcett), well ensconced in the Charles Townsend Investigation agency. Jill, however, isn't entirely absent from the scene: Fawcett turns up in at least three episodes, not quite ready to shake her old job despite the lure of car racing and a handsome beau (Stephen Collins). But enough about her: the current incarnation of Charlie's team kicks off the season with a two-part mystery set in Las Vegas. Dean Martin plays a maverick casino owner who believes he's being "gaslighted," i.e., made the target of psychological harassment by an unknown enemy. Trouble is, some of his employees and friends are getting hurt and even killed by this same assailant. The girls, including brainy Sabrina Duncan (Kate Jackson) and streetwise Kelly Garrett (Jaclyn Smith), plus mirthful supervisor Bosley (David Doyle), go undercover to root out a plot to ! ruin Martin's character. (Sure, Dino romances one of them: Sabrina.)
The rest of the season follows the usual Charlie's Angels formula of relying on the cast's appealing personalities and substantive, anti-bimbo characters, while also getting them (well, not Jackson so much) in various states of undress as quickly as possible. An accent on stories requiring the wearing of leotards and showgirl costumes certainly helps the cause, but there are plenty of non-exploitational episodes as well. Among the best programs is "Angel Come Home," in which Jill arrives at Charlie's by surprise after receiving a phony emergency cable in Europe from someone claiming to be Kris. Eager to investigate, Jill soon hooks up with an old friend (Horst Buchholz) developing a new car engine targeted by enemies. "Angels in Springtime" capitalizes on a creepy suggestion of lesbian incarcerators running an expensive spa for women. "Haunted Angels" is a spooky tale of a young man's demanding ! spirit being channeled, from beyond the grave, through a terri! fied wom an. It could be real or it could be a scam; only the Angels can find out. "Counterfeit Angels" finds a trio of bank robbers claiming to be Kris, Kelly, and Sabrina; the girls fight for their innocence. Finally, a great episode from its era (1979), "Disco Angels," gets the ladies exactly where they belong: on a dance floor. --Tom KeoghThree beautiful private detectives who work for a suave playboy boss are called in to rescue soon-to-be billionaire software mogul Eric Knox, when he is kidnapped from his office at Knox Technologies. While rough-and-tumble Alex, wild-child Dylan, and nerdy Natalie use an impressive array of high-tech gadgetry and martial arts moves to retrieve Knox from the clutches of rival Roger Corwin and his goons, they unwittingly become embroiled in a battle to protect the world from a wide-scale invasion of privacy that threatens to occur when good technology falls into the hands of bad people.For every TV-into-movie success like The Fugitive! I>, there are dozens of uninspired films like The Mod Squad. Happily--and surprisingly--this breezy update of the seminal '70s jiggle show falls into the first category, with Cameron Diaz, Drew Barrymore (who also produced), and Lucy Liu starring as the hair-tossing, fashion-setting, kung fu-fighting trio employed by the mysterious Charlie (voiced by the original Charlie, John Forsythe). When a high-tech programmer (Sam Rockwell) is kidnapped, the angels seek out the suspects, with the daffy Bosley (Bill Murray in a casting coup) in tow. A happy, cornball popcorn flick, Charlie's Angels is played for laughs with plenty of ribbing references to the old TV show as well as modern caper films like Mission: Impossible. McG, a music video director making his feature film debut (usually a death warrant for a movie's integrity), infuses the film with plenty of Matrix-style combat pyrotechnics, and the result is the first successful all-American Hong! Kong-style action flick. Plenty of movies boast a New Age fem! inism th at has their stars touting their sexuality while being their own women, but unlike something as obnoxious as Coyote Ugly, Angels succeeds with a positive spin on Girl Power for the new millennium (Diaz especially sizzles in her role of crack super agent/airhead blonde). From the send-up of the TV show's credit sequence to the outtakes over the end credits, Charlie's Angels is a delight. --Doug Thomas
Stills from Delgo (Click for larger image)
| Â | ||
Stills from Delgo (Click for larger image)
| Â | ||
This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.
Disc 2: CHARLIE CHAN IN RENO **Full Frame Feature **Welcome to Reno: America's Divorce Resort **Reno Memories **Chan's Killer Actress: Kay Linaker **Restoration Comparison **Trailer **Still Gallery
Disc 3: CHARLIE CHAN AT TREASURE ISLAND **Full frame Featur! e **Commentary by Film CriticKen Hanke & Film Historian John Cork **The Real Treasure Island **Charlie Chan & the Zodiac **Restoration Comparison **Still Gallery
Disc 4: CHARLIE CHAN IN CITY IN DARKNESS **Full frame Feature **The Making of Charlie Chan in City in Darkness **Writing Chan: Robert Ellis & Helen Logan **Restoration Comparison **Trailer **Still GalleryMARIE ANTOINETTE The woman who was France! Norma Shearer and Tyrone Power headline an opulent saga of royalty and revolution. DAVID COPPERFIELD Based on the best-selling book by Charles Dickens. W.C. Fields is Micawber, and Freddie Bartholomew is young David in a splendid version of Dickens' most autobiographical work. A TALE OF TWO CITIES From the famed author Charles Dickens. "It was the best of times, it was the worst of times." Ronald Colman stars in the lavish story of the French Revolution...and one man's redemption. PRIDE AND PREJUDICE Based on the best-selling book by Jane Austen. Mr. Darcy (Laurence Ol! ivier) sets maiden hearts aflutter - except for that of unimpr! essed El izabeth Bennett (Greer Garson). Austen's masterwork! TREASURE ISLAND Based on the unforgettable book of the same title by Robert Louis Stevenson. Avast, me hearties, for the swashbuckler about a boy with a treasure map - and a pirate (Long John Silver) with a scheme. The Champ's Wallace Beery and Jackie Cooper reunite!For an accurate look at how things were at MGM in the glory days, go directly to Motion Picture Masterpieces, a DVD box with five literary-minded A-list productions. MGM liked to think of itself as the studio of class, and its highbrow aspirations (mixed with plenty of old-fashioned hokum) are on lavish display in this collection.
Louis B. Mayer ran the studio, and boy wonder Irving Thalberg supervised production. However, another strong-willed producer, future Gone with the Wind CEO David O. Selznick, was responsible for guiding a pair of highly enjoyable Dickens adaptations, both released in 1935. David Copperfield is a wonderful cond! ensation of the sprawling novel, crammed with memorable evocations of Dickens' roster of eccentrics. Freddie Bartholomew, who became a star with this role, plays the young David; equally indelible are W.C. Fields as Mr. Micawber, Basil Rathbone as Murdstone, and especially Edna May Oliver as Besty Trotwood. Director George Cukor's empathy and craftsmanship keep the movie humming with Dickensian wit. A Tale of Two Cities followed shortly thereafter, with Ronald Colman in one of his signature roles as the drunken romantic Sydney Carton, whose throttled love for the beautiful Lucie Manette leads to the French Revolution's guillotine. Jack Conway directs in tight, brisk fashion, and once again the supporting cast (Oliver and Rathbone return from Copperfield) is flavorful.
The French Revolution also figures in the rather preposterous Marie Antoinette (1938), an eye-popping production about the bride of Louis XVI. The project was a pet of Thalberg and hi! s wife Norma Shearer, and MGM proceeded with the overstuffed p! roductio n even after Thalberg's early death. Marie gets an extramarital affair (with the young Tyrone Power) and an incredible parade of gowns and wigs, but not too much blame for the peasants starving. Robert Morley steals the show as Louis XVI, with John Barrymore in rascally form as his grandfather. Shearer's ordinariness somehow fits her out-of-it character.
Treasure Island (1934) casts Jackie Cooper as young Jim Hawkins and Wallace Beery as that one-legged seadog, Long John Silver (the pair had scored a huge hit in The Champ three years earlier). This is a lot of people's favorite adaptation of the marvelous Robert Louis Stevenson novel, and Victor Fleming's manly directing approach manages to take some of the sheen off the MGM house style (by the way, art director Cedric Gibbons, credited on all these films, is one of the stars of the box set).
Pride and Prejudice (1940) is a respectable take on Jane Austen's oft-filmed novel, with Greer Garson a! s the headstrong Elizabeth Bennet and Laurence Olivier as the difficult Mr. Darcy. MGM liked to corset Garson in fine-lady roles, but here she lets some of Elizabeth's sauciness come through; actually, Olivier's elaborate performance is the movie's too-theatrical weak spot. But boy, does this movie tell a good story--and that's rather the point of these (Marie excepted) solid literary adaptations. --Robert Horton
Armed with the same airheaded humor he brought ! to Romy and Michele's High School Reunion, director Dav! id Mirki n relies on the clichéd notion that sex turns all men into morons--a conceit that would have worked if the dialogue and sitcom antics were more convincing. As Page's would-be paramour, Jason Lee is rendered intellectually inert, and it's hit-or-miss from that point forward. When the humor hits--as it does with Nora Dunn's rendition of a horrible housemaid--Heartbreakers hints at its full potential. Additional plot twists--not to mention Hewitt's microskirts and Wonderbras--may hold your attention, but you may find yourself harkening back to Steve Martin, Michael Caine, and those happier high jinks on the French Riviera. Singer-songwriter Shawn Colvin has a cameo role as the wedding priest. --Jeff Shannon In a frothy, sexy feature The Huffington Post called an effervescent delight, Alex (Romain Duris of The Beat That My Heart Skipped) is a romantic for hire. If your daughter or sister or friend is falling for the wrong man, Alex will get her to fall for him, wa! tch her dump the loser...and then break her heart by walking away. She ll be sad but wiser and lucky to have avoided a bad relationship. It s a highly profitable business with one rule: don t fall in love. When Alex is hired to woo Juliette (Vanessa Paradis of Girl On The Bridge), he breaks her heart...and his own rule. Starring two of the most beautiful actors in the world, Heartbreaker is the perfect date movie with a sweetly hilarious, Dirty Dancing-inspired finale that you ll never forget.
