Crazy Like a Fox

• A Cinequest release
• Special Features Theatrical Trailer and cinequest trailers
• Cannes winner

The inspiring true story of one man's determination to make a difference- and the school he changed forever.

"If you act like a winner, you'll be treated like a winner. If you act like a fool, you'll be treated like a fool."

This is the golden rule set forth by Dr. Ben Chavis, the highly unorthodox principal of Oakland, California's American Indian Public Charter School, which was hailed as an "education miracle" by Governor Arnold Schwarzenegger after it was transformed from a failing "nuisance" into one of the best public middle schools in the nation.

This is the story of how one man, in daring to be different, effected such stunning change. With his rigorous, no-nonsense approach, Dr. Ben Chavis debunks the myth that poor, minority, inner-cit! y schools have little chance at academic excellence. Focusing on back-to-basics ideals, he has created a structured educational model that, combined with the enthusiasm of his students and teachers, delivers astounding results.

Now, Dr. Chavis recounts how he did it-in his own words and through the stories of the extraordinary young people he's helped.Similes set off an exciting chase scene in an adventure in language arts. Rufus the fox is up to something. He runs across the meadow as fast as lightning, sneaks up to Babette like a thief in the night, and roars like a lion. Babette, mad as a hornet, chases Rufus all over town. But is Rufus being chased or is he actually leading Babette to a surprise destination? Rufus sure is crazy--crazy like a fox! Sure to make the reader as happy as a clam, this bright simile story also includes a clear explanation of similes and shows how to include similes in a story.How brutal is the cable news business? When Fox News CEO Rog! er Ailes learned that Paula Zahn was negotiating with archriva! l CNN, A iles fired Zahn immediately. When a reporter pointed out that Zahn had boosted ratings for Fox, Ailes replied, “I could have put a dead raccoon on the air this year and gotten a better rating than last year.”

Crazy Like A Fox tells one of the most dramatic business stories of the past decadeâ€"the war over cable news. In 1991, with its coverage of the first Gulf War, Ted Turner’s CNN reinvented the television news business and became a global brand name. In 1995, NBC and Microsoft pooled their enormous resources to create MSNBC. But by 2003, both had been dwarfed in the ratings by Rupert Murdoch’s seven-year-old Fox News Channel. How did Fox News pull off this amazing victory and how is its successâ€" and its alleged right-wing slantâ€"changing the entire media world?

Scott Collins provides a shocking account of corporate arrogance and intrigue, with all the brash personalities and back-room dealings involved in the war for ratings. He offers inside ta! les about a virtual Who’s Who of American television: not just corporate players like Turner, Murdoch, Ailes, Walter Isaacson, and Bob Wright, but also on-air talent like Paula Zahn, Bill O’Reilly, Connie Chung, Phil Donahue, Sean Hannity, Greta Van Susteren, and Larry King. Collins also shows what happened behind the camera during the biggest news stories of our time, including the 2000 election, September 11, and Gulf War II.Margaret Jaffrey is a young widow who moves in with her dead husband's eccentric family so her nine-year-old daughter can have a better life. Soon Margaret finds herself seduced by the atmosphere, the slower pace and Peter Andrew Jaffrey, the cousin of her deceased husband.The inspiring true story of "one of the country's finest educators" (National Review) and the school he changed forever.

Under the leadership of highly unorthodox principal Dr. Ben Chavis, Oakland's American Indian Public Charter School was hailed as an "! education miracle" by governor Arnold Schwarzenegger after it ! was tran sformed from a failing "nuisance" into one of the best public middle schools in the nation.

This is the story of that transformation and of a man who dared to be different. With his rigorous, no-nonsense approach, Dr. Chavis debunks the myth that poor, minority, inner-city schools have little chance at academic excellence. Focusing on back-tobasics ideals, he has created a structured educational model that, combined with the enthusiasm of his students and teachers, delivers astounding results.

In Crazy Like a Fox, Dr. Chavis recounts how he did it-in his own words and through the stories of the extraordinary young people he's helped.The inspiring true story of "one of the country's finest educators" (National Review) and the school he changed forever.

Under the leadership of highly unorthodox principal Dr. Ben Chavis, Oakland's American Indian Public Charter School was hailed as an "education miracle" by governor Arnold Schwar! zenegger after it was transformed from a failing "nuisance" into one of the best public middle schools in the nation.

This is the story of that transformation and of a man who dared to be different. With his rigorous, no-nonsense approach, Dr. Chavis debunks the myth that poor, minority, inner-city schools have little chance at academic excellence. Focusing on back-tobasics ideals, he has created a structured educational model that, combined with the enthusiasm of his students and teachers, delivers astounding results.

In Crazy Like a Fox, Dr. Chavis recounts how he did it-in his own words and through the stories of the extraordinary young people he's helped.This digital document is an article from Hawaii Business, published by Hawaii Business Publishing Co. on March 1, 1992. The length of the article is 4800 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazo! n.com Digital Locker immediately after purchase. You can view ! it with any web browser.

Citation Details
Title: Frank Fasi: crazy like a fox. (Honolulu mayor) (Cover Story)
Author: Susan Hooper
Publication: Hawaii Business (Magazine/Journal)
Date: March 1, 1992
Publisher: Hawaii Business Publishing Co.
Volume: v37 Issue: n9 Page: p76(11)

Article Type: Cover Story

Distributed by Thomson GaleWhen big-city speculators chest farmer Nat Banks out of his Virginia farm, he won't take you're evicted for an answer. Temporarily losing his mind, he creates a new home for himself in a cave near the creek on his former property. Leaving his family but not the farm, Nat inspires a community-wide rebellion as he fights his way back home. Starring two-time Oscar® Nominated and Emmy® Award-winning actress Mary McDonnell as Amy and Emmy® Award-winning actor Ro! ger Rees as Nat, Crazy Like a Fox is an enchanting tale about family and the determination in all of us not to go down without a fight.

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Dig!

• Running Time 107 Min System Requirements: Filmed over seven years (1996-2002) and culled from over 1500 hours of footage by rising director Ondi Timoner, DIG! plunges into the underbelly of rock n roll unearthing an amazing true tale of success, self destruction, friendship, and the ultimate rivalry between two up-and-coming bands; Brian Jonestown Massacre led by the tormented, self-destructi

Seven years in the making and culled from over 1500 hours of footage, DIG! plunges into the underbelly of rock ‘n’ roll, unearthing an incredible true story of success and self-destruction. Anton A. Newcombe of the Brian Jonestown Massacre and Courtney Taylor of the Dandy Warhols are star-crossed friends and bitter rivals â€" DIG! is the story of their loves and obsessions, gigs and recordings, arrests and death threats, uppers and downers, and the delicate balance between art and commerce.

Italian fabulist Italo Calvino observed that there are two kinds of artists--those who are prolific and successful, and the tortured geniuses, each gazing at the other in deep jealousy and admiration. The two rock bands chronicled in the documentary DiG! fall easily into this equation. On the side of the tortured geniuses is the Brian Jonestown Massacre, led by the psychedelic and volatile Anton Newcombe. Portland's the Dandy Warhols, fronted by Courtney Taylor, fulfill the role of the artists who, while unable to plumb the artistic depths of their friendly rivals, achieve a fair degree of popular acclaim (in Europe, anywa! y). Shot over seven years and containing some astonishingly in! timate f ootage, the film represents a labor of love for director Ondi Timoner, who befriended, lived, and traveled with the bands. DiG! will likely be most remembered for a remarkable scene of rock and roll implosion--a show in LA's Viper Room after which the Brian Jonestown Massacre were expected to ink a record deal. Instead, the band erupted in a fist fight onstage. Among themselves.

Does it go uphill or downhill from here? Depends on your definition of the terms. While! dooming their careers, the Brian Jonestown Massacre manage to crank out an insane number of self-distributed albums--including three records in a single year. Courtney Taylor and the Dandies regard the musical output of their peers worshipfully and find themselves virtually ignored stateside but huge stars across the pond. While tens of thousands of fans in Germany and the UK sing along to every word at sold-out festivals headlined by the Dandies, Newscombe leads his crew in a nine-hour set in a dingy club for an audience of ten. Throughout the film there are controlled substances imbibed, clothing shed, sitars broken, punches thrown, arrests made. Taylor performs double duty as narrator of the film, begging the question of whether to accept his assertion that he fronts "the most well-adjusted band in America" at face value. The destined-for-greater-things Joel Gion, BJM's tambourine player, is the thief of every scene in which he appears, playing Flavor Flav to Newscombe'! s Chuck D. For those who want even more immersion, the DVD inc! ludes th e option to "zoom," or expand, various scenes--a very cool feature. Those responsible for the hilarious excesses of DiG! have made a movie worthy of being mentioned in the same breath as This Is Spinal Tap, as mixed an honor as that might be.

DVD Features

The second of this set's two discs is practically its own sequel. Director Ondi Timoner had 1500 hours of footage to work with, so there was plenty of good material left on the cutting-room floor that found its way onto this supplemental disc. The deleted scenes include an unintentionally haunting pre-9/11 interview on a New York! rooftop with BJM's Anton Newcombe; the twin towers loom behind the singer as he attempts to justify singing about love yet engaging in violence, drawing tenuous parallels between himself and militant prophets throughout history. This, and Newcombe's delight in listening to Charles Manson's musical recordings, is about as heavy as it gets, though. Other extras include various videos by the bands, with the conspicuous absence of the Dandy Warhol's David LaChapelle-directed "Not if You Were the Last Junkie on Earth." (The omission is understandable in light of the Dandies' sour grapes over the $400,000 video.) The Where Are They Now features find various members of the bands a little older and reflective, with new families and new gigs, reminiscing fondly on the seven years spent under Timoner's watchful spycam. As is the case with the film proper, the mood picks up whenever Joel Gion appears. When is this guy going to get his own talk show? For fans of Timoner's commentary o! n disc 1 there is--get this--footage of the director and her p! artners recording that commentary. Why there's no footage of Timoner watching and commenting on the footage of herself recording the commentary is anyone's guess. --Ryan Boudinot

Dig These Discs by the Brian Jonestown Massacre

Tepid Peppermint Wonderland: A Retrospective	Strung Out in Heaven	Bravery Repetition & Noise
And This Is Our Music	Thank God for Mental Illness	Bringing It All Back Home Again

Dig These Discs by the Dandy Warhols

Welcome to the Monkey House

Thirteen Tales from Urban Bohemia

The Dandy Warhols Come Down

Dig These Documentaries (and One Classic Mockumentary) on DVD

!

This Is Spinal Tap (Special Edition)	Metallica: Some Kind of Monster	Hype
X (The Band): The Unheard Music	End of the Century: The Story of the Ramones	Gimme Shelter

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Hidalgo (Full Screen Edition)

• A sandstorm of epic proportions. A swarm of locusts so massive it obliterates the relentless sun. Deadly traps that defy imagination. These are just a few of the astonishing obstacles Frank T. Hopkins, the greatest long-distance racer ever, faces in the rousing action-adventure HIDALGO. Based on a true story and starring Viggo Mortensen (THE LORD OF THE RINGS Trilogy), Hopkins (Mortensen) and his

A sandstorm of epic proportions. A swarm of locusts so massive it obliterates the relentless sun. Deadly traps that defy imagination. These are just a few of the astonishing obstacles Frank T. Hopkins, the greatest long-distance racer ever, faces in the rousing action-adventure HIDALGO. Based on a true story and starring Viggo Mortensen (THE LORD OF THE RINGS Trilogy), Hopkins (Mortensen) and his mustang Hidalgo enter the ultimate extreme sport of its time -- the Ocean Of Fire. Underdogs challenging ! the finest Arabian horses and riders, they must not only survive the grueling race across 3,000 miles of the Arabian Desert’s punishing terrain, but they must thwart the evil plots of competitors who vow victory at all costs! A great story of personal triumph, amazing special effects, and memorable characters make HIDALGO one of the most thrilling adventures ever.Director Joe Johnston has always had an entertaining sense of adventure, and with Hidalgo he proves it in spades. It's yet another underrated film for Johnston (along with such enjoyable popcorn flicks as The Rocketeer and Jurassic Park III), dismissed by many critics but a welcome treat for anyone drawn to good ol'-fashioned movie excitement. In his first role since playing Aragorn in the Lord of the Rings trilogy, Viggo Mortensen brings handsome appeal to his low-key portrayal of Frank T. Hopkins, a real-life long-distance horse racer who, as the movie opens, has witnessed the appall! ing massacre of Native Americans at Wounded Knee in 1890. Drif! ting int o Buffalo Bill's Wild West Show, he agrees to compete, with his trusty mustang, Hidalgo, in "The Ocean of Fire," a treacherous 3,000-mile horse race across the Arabian desert. Toss in a bunch of conspiring competitors, a noble sheik (Omar Sharif), his lovely daughter (Zuleikha Robinson), and enough fast-paced danger to fill 133 minutes, and you've got a rousing, humorous, and lightly spiritual adventure that's a lot of fun to watch. It hardly matters that it's almost pure fiction (the real Hopkins was known by many as "a pathological liar"). More important is the love of movies and moviemaking that Johnston so delightfully conveys. --Jeff Shannon

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The Bourne Supremacy (Bourne Trilogy, Book 2)

• ISBN13: 9780553263220
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

#1 NEW YORK TIMES BESTSELLER
 
Reenter the shadowy world of Jason Bourne, an expert assassin still plagued by the splintered nightmares of his former life. This time the stakes are higher than ever. For someone else has taken on the Bourne identityâ€"a ruthless killer who must be stopped or the world will pay a devastating price. To succeed, the real Jason Bourne must maneuver through the dangerous labyrinth of international espionageâ€"an exotic world filled with CIA plots, turncoat agents, and ever-shifting alliancesâ€"all the while hoping to find the truth behind his haunted memories and the answers to his own fragmented past. This time there are two Bournesâ€"and one must ! die.

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Blindness

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NOW A MAJOR MOTION PICTURE

A city is hit by an epidemic of "white blindness" that spares no one. Authorities confine the blind to an empty mental hospital, but there the criminal element holds everyone captive, stealing food rations and assaulting women. There is one eyewitness to this nightmare who guides seven strangersâ€"among them a boy with no mother, a girl with dark glasses, a dog of tearsâ€"through the barren streets, and the procession becomes as uncanny as the surroundings are harrowing. A magnificent parable of loss and disorientation and a vivid evocation of the horrors of the twentieth century, Blindness has swept the reading public with its powerful portrayal of man's worst appetites and weaknesses-and man's ultimately exhilarating spirit.

In an unnamed city in an unnamed country, a man sitting in his car waiting for a traffic light to chang! e is suddenly struck blind. But instead of being plunged into darkness, this man sees everything white, as if he "were caught in a mist or had fallen into a milky sea." A Good Samaritan offers to drive him home (and later steals his car); his wife takes him by taxi to a nearby eye clinic where they are ushered past other patients into the doctor's office. Within a day the man's wife, the taxi driver, the doctor and his patients, and the car thief have all succumbed to blindness. As the epidemic spreads, the government panics and begins quarantining victims in an abandoned mental asylum--guarded by soldiers with orders to shoot anyone who tries to escape. So begins Portuguese author José Saramago's gripping story of humanity under siege, written with a dearth of paragraphs, limited punctuation, and embedded dialogue minus either quotation marks or attribution. At first this may seem challenging, but the style actually contributes to the narrative's building ten! sion, and to the reader's involvement.

In this communit! y of bli nd people there is still one set of functioning eyes: the doctor's wife has affected blindness in order to accompany her husband to the asylum. As the number of victims grows and the asylum becomes overcrowded, systems begin to break down: toilets back up, food deliveries become sporadic; there is no medical treatment for the sick and no proper way to bury the dead. Inevitably, social conventions begin to crumble as well, with one group of blind inmates taking control of the dwindling food supply and using it to exploit the others. Through it all, the doctor's wife does her best to protect her little band of blind charges, eventually leading them out of the hospital and back into the horribly changed landscape of the city.

Blindness is in many ways a horrific novel, detailing as it does the total breakdown in society that follows upon this most unnatural disaster. Saramago takes his characters to the very edge of humanity and then pushes them over t! he precipice. His people learn to live in inexpressible filth, they commit acts of both unspeakable violence and amazing generosity that would have been unimaginable to them before the tragedy. The very structure of society itself alters to suit the circumstances as once-civilized, urban dwellers become ragged nomads traveling by touch from building to building in search of food. The devil is in the details, and Saramago has imagined for us in all its devastation a hell where those who went blind in the streets can never find their homes again, where people are reduced to eating chickens raw and packs of dogs roam the excrement-covered sidewalks scavenging from corpses.

And yet in the midst of all this horror Saramago has written passages of unsurpassed beauty. Upon being told she is beautiful by three of her charges, women who have never seen her, "the doctor's wife is reduced to tears because of a personal pronoun, an adverb, a verb, an adjective, mere ! grammatical categories, mere labels, just like the two women,! the oth ers, indefinite pronouns, they too are crying, they embrace the woman of the whole sentence, three graces beneath the falling rain." In this one woman Saramago has created an enduring, fully developed character who serves both as the eyes and ears of the reader and as the conscience of the race. And in Blindness he has written a profound, ultimately transcendent meditation on what it means to be human. --Alix WilberIn Blindness, a city is overcome by an epidemic of blindness that spares only one woman. She becomes a guide for a group of seven strangers and serves as the eyes and ears for the reader in this profound parable of loss and disorientation. We return to the city years later in Saramago’s Seeing, a satirical commentary on government in general and democracy in particular. Together here for the first time, this beautiful edition will be a welcome addition to the library of any Saramago fan.

A city is hit by an epidemic of! "white blindness" which spares no one. Authorities confine the blind to an empty mental hospital, but there the criminal element holds everyone captive, stealing food rations and raping women. There is one eyewitness to this nightmare who guides seven strangers-among them a boy with no mother, a girl with dark glasses, a dog of tears-through the barren streets, and the procession becomes as uncanny as the surroundings are harrowing. A magnificent parable of loss and disorientation and a vivid evocation of the horrors of the twentieth century, Blindness has swept the reading public with its powerful portrayal of man's worst appetites and weaknesses-and man's ultimately exhilarating spirit. The stunningly powerful novel of man's will to survive against all odds, by the winner of the 1998 Nobel Prize for Literature

In an unnamed city in an unnamed country, a man sitting in his car waiting for a traffic light to change is suddenly struck blind. But instead of being ! plunged into darkness, this man sees everything white, as if h! e "were caught in a mist or had fallen into a milky sea." A Good Samaritan offers to drive him home (and later steals his car); his wife takes him by taxi to a nearby eye clinic where they are ushered past other patients into the doctor's office. Within a day the man's wife, the taxi driver, the doctor and his patients, and the car thief have all succumbed to blindness. As the epidemic spreads, the government panics and begins quarantining victims in an abandoned mental asylum--guarded by soldiers with orders to shoot anyone who tries to escape. So begins Portuguese author José Saramago's gripping story of humanity under siege, written with a dearth of paragraphs, limited punctuation, and embedded dialogue minus either quotation marks or attribution. At first this may seem challenging, but the style actually contributes to the narrative's building tension, and to the reader's involvement.

In this community of blind people there is still one set of functioning ey! es: the doctor's wife has affected blindness in order to accompany her husband to the asylum. As the number of victims grows and the asylum becomes overcrowded, systems begin to break down: toilets back up, food deliveries become sporadic; there is no medical treatment for the sick and no proper way to bury the dead. Inevitably, social conventions begin to crumble as well, with one group of blind inmates taking control of the dwindling food supply and using it to exploit the others. Through it all, the doctor's wife does her best to protect her little band of blind charges, eventually leading them out of the hospital and back into the horribly changed landscape of the city.

Blindness is in many ways a horrific novel, detailing as it does the total breakdown in society that follows upon this most unnatural disaster. Saramago takes his characters to the very edge of humanity and then pushes them over the precipice. His people learn to live in inexpre! ssible filth, they commit acts of both unspeakable violence an! d amazi ng generosity that would have been unimaginable to them before the tragedy. The very structure of society itself alters to suit the circumstances as once-civilized, urban dwellers become ragged nomads traveling by touch from building to building in search of food. The devil is in the details, and Saramago has imagined for us in all its devastation a hell where those who went blind in the streets can never find their homes again, where people are reduced to eating chickens raw and packs of dogs roam the excrement-covered sidewalks scavenging from corpses.

And yet in the midst of all this horror Saramago has written passages of unsurpassed beauty. Upon being told she is beautiful by three of her charges, women who have never seen her, "the doctor's wife is reduced to tears because of a personal pronoun, an adverb, a verb, an adjective, mere grammatical categories, mere labels, just like the two women, the others, indefinite pronouns, they too are crying, the! y embrace the woman of the whole sentence, three graces beneath the falling rain." In this one woman Saramago has created an enduring, fully developed character who serves both as the eyes and ears of the reader and as the conscience of the race. And in Blindness he has written a profound, ultimately transcendent meditation on what it means to be human. --Alix Wilber

A city is hit by an epidemic of "white blindness" which spares no one. Authorities confine the blind to an empty mental hospital, but there the criminal element holds everyone captive, stealing food rations and raping women. There is one eyewitness to this nightmare who guides seven strangers-among them a boy with no mother, a girl with dark glasses, a dog of tears-through the barren streets, and the procession becomes as uncanny as the surroundings are harrowing. A magnificent parable of loss and disorientation and a vivid evocation of the horrors of the twentieth century, Blindness ha! s swept the reading public with its powerful portrayal of man'! s worst appetites and weaknesses-and man's ultimately exhilarating spirit. The stunningly powerful novel of man's will to survive against all odds, by the winner of the 1998 Nobel Prize for Literature

This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.A doctor's wife becomes the only person with the ability to see in a town where everyone is struck with a mysterious case of sudden blindness. She feigns illness in order to take care of her husband as her surrounding community breaks down into chaos and disorder. Based on a novel by Nobel Prize winner Jose Saramago.
Based on José Saramago's allegorical novel, Blindness is a ha! unting film that works like an unusual fusion of fable and gritty suspense. Julianne Moore and Mark Ruffalo star as an unnamed, married couple living in an unidentified city where a mass epidemic of blindness hits. Ruffalo's character, a doctor, is affected, but Moore's is not. When the two are transferred to a government-run quarantine facility complete with armed guards, they soon find themselves in a rapidly deteriorating situation. Criminals take over food distribution and extort possessions and sex from the innocent. Sanitation becomes a thing of the past. More subtly, rules that might govern one's judgement and behavior on an everyday basis simply vanish, and personal and collective values rewrite themselves. Moore's character hides the fact that she can see (except from her spouse), and thus becomes the audience's surrogate in the thick of so much misery. She also becomes an avenging angel at exactly the right time, and then a matriarch when the action shifts from t! he quarantine hell to the city's streets. The latter part of Blindn ess finds a handful of the inmates (played by Danny Glover and Alice Braga, among others) joining Moore and Ruffalo in a kind of post-apocalypse oasis, a chapter as touching as the previous chapters were nightmarish.

Director Fernando Meirelles deftly captures the film's spirit of mixed parable and horror, grounding the action but at the same time encouraging a viewer not to take it too literally. He honors Saramago's creative depiction of blindness not as a field of black but, in this case, as an ocean of white. He also does some tricky, disorienting things with the camera, shooting at odd angles, putting his frame around strange details in a scene--all of it has a way of giving a viewer a feeling of what it's like to perceive the world in a whole new way. --Tom Keogh

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The Great White Hype: Music From The Motion Picture

• Full Length Audio CD

He's the flashiest, wildest, richest, most outspoken promoter the boxing world has ever known. He's the Reverend Fred Sultan, and when the sport's popularity wanes, he comes up with a heavyweight plan to turn things around.Writer Ron Shelton (Tin Cup) and former National Lampoon scribe Tony Hendra collaborated on the script for this satire about a boxing promoter (Samuel L. Jackson) who gets behind a white fighter (Peter Berg) after his black slugger (Damon Wayans) is mired in a losing streak. While sharp and funny, it's never quite clear what the point of it all is. Director Reginald Hudlin (Boomerang) isn't strong enough or skilled enough as a filmmaker to make this level of satire leap off the screen; fortunately, he's got powerful allies in Jackson, Berg, Wayans, Jeff Goldblum, and the rest of the cast. --Tom Keogh Writer Ron Shelton (T! in Cup) and former National Lampoon scribe Tony Hendra collaborated on the script for this satire about a boxing promoter (Samuel L. Jackson) who gets behind a white fighter (Peter Berg) after his black slugger (Damon Wayans) is mired in a losing streak. While sharp and funny, it's never quite clear what the point of it all is. Director Reginald Hudlin (Boomerang) isn't strong enough or skilled enough as a filmmaker to make this level of satire leap off the screen; fortunately, he's got powerful allies in Jackson, Berg, Wayans, Jeff Goldblum, and the rest of the cast. --Tom Keogh Full Length Audio CD

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HP 74XL CB336WN & HP 75XL CB338WN Compatible Remanufactured Combo Pack - 1 Black & 1 Color Ink Cartridges

• Save even more money and time with our combo pack deals
• Individually factory sealed
• Sold exclusively by OCinkjet
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• One year factory warranty against product defect

Forest Whitaker, Kim Basinger, Danny Devito, Kelsey Grammer and Ray Liotta star in director Mark Rydell's ensemble addiction drama detailing the manner in which gambling and drugs affect a variety of people's lives during the weeks leading up to a championship college basketball game.The lure of easy cash drives the interlocking storylines of Easy Money, an all-star tale of gamblers, bookies, and gangsters. The movie draws together a blocked novelist addicted to the slots (Kim Basinger, L.A. Confidential), a magician on the skids (Danny DeVito, Get Shorty), a bookie with stress-induced stomach problems (Jay Mohr, Jerry Maguire), a debt-r! idden plumber (Forest Whitaker, The Last King of Scotland) who persuades his basketball-playing brother (Nick Cannon, Love Don't Cost a Thing) to shave points, and a gangster by turns mincing and menacing (Tim Roth, Reservoir Dogs). Tying them all together is a murder investigation conducted by a detective on crutches (an unrecognizable Kelsey Grammer, X-Men: The Last Stand). Even Money never achieves the raw, spontaneous energy of a Robert Altman movie (clearly an influence) or the social complexity of Crash (produced by the same company), but individual scenes and actors (particularly Whitaker as he twists his brother's affection to perverse ends) have an impact. Unfortunately, the movie never grips the viewer with the rush of winning or the knife-twist of losing; without that visceral punch, Even Money feels inauthentic and a little preachy. Also featuring Ray Liotta (Goodfellas) as Basinger's long-suffering husba! nd and Carla Gugino (Snake Eyes) as a nurse in love wit! h a brut al debt collector. --Bret FetzerThe New York Times-bestselling authors return with a heart-stopping new novel.

O n the first day of Royal Ascot, the world's most famous horse race, the crowd rejoices in a string of winning favorites. Ned Talbot has worked all his life as a bookmaker- taking over the family business from his grandfather- so he knows not to expect any sympathy from the punters as they count their winnings, and he his losses. He's seen the ups and downs before-but, as the big gambling conglomerates muscle in on small concerns like his, Ned wonders if it's worth it any more.

When a gray-haired man steps forward from the crowd claiming to be his father, Ned's life is thrown into far deeper turmoil. He'd been told since he was a baby that his parents had died in a car crash.

Barely an hour later, his newly found father is stabbed by an unknown assailant in the Ascot parking lot. Blood oozing from his abdomen, his father ! warns Ned to "be very careful." But of whom? Of what? Ned finds himself in a race to solve his father's riddle-a race where coming in second could cost him more than even money-it could cost him his life. . . .Ned Talbot is a small-time bookmaker on the edge of giving it all up when his world is turned upside down by a man who claims to be his father, long thought dead. And when the mysterious stranger is murdered, Ned feels compelled to find out exactly what is going on. But the more he discovers, the longer the odds become for his survival.Ned Talbot is a small-time bookmaker on the edge of giving it all up when his world is turned upside down by a man who claims to be his father, long thought dead. And when the mysterious stranger is murdered, Ned feels compelled to find out exactly what is going on. But the more he discovers, the longer the odds become for his survival.Forest Whitaker Kim Basinger Danny Devito Kelsey Grammer and Ray Liotta star in director Mark Rydell's! ensemble addiction drama detailing the manner in which gambli! ng and d rugs affect a variety of people's lives during the weeks leading up to a championship college basketball game.System Requirements:Running Time: 112 Mins.Format: DVDSave even more money and time with our combo pack deals. This combo pack comes with 1 compatible recycled HP 74XL + 1 compatible recycled HP 75XL. As with our individual products our combo packs come with our 100% satisfaction guarantee.Supported printers: HP Deskjet D4260, HP Deskjet D4268, HP OfficeJet J5730, HP OfficeJet J5740, HP OfficeJet J5750, HP OfficeJet J5780, HP OfficeJet J5785, HP OfficeJet J5788, HP PhotoSmart C4240, HP PhotoSmart C4250, HP PhotoSmart C4280, HP PhotoSmart C5240, HP PhotoSmart C5250, HP PhotoSmart C5280, HP PhotoSmart D5360, HP PhotoSmart C4385, HP PhotoSmart C4200, HP PhotoSmart C4210, HP Officejet J6480, HP PhotoSmart C4380, HP PhotoSmart C4480, HP PhotoSmart C4400, HP Officejet J6450

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