"Brewer's writing is gritty and witty, tough on its characters but easy on the reader."-The Albuquerque Tribune
"Brewer's . . . pacing is among the best in the genre."-Arkansas Democrat-Gazette
An amateur crime spree takes a turn in the piney woods of far northern California in Bank Job, the latest fast-paced escapade from author Steve Brewer.
Jaded, rage-laden, and utterly stupid, brothers Leon and Junior Daggett and their homicidal partner, Roy Wade, entertain themselves by knocking over liquor stores and gas stations. When a run-of-the-mill robbery goes sour, they find themselves bloody and knocking on the door of a stranger for help. That stra! nger ends up being Vince Carson, retired bank robber.
Thinking they've discovered their big-time score, Leon and Roy take Vince's wife hostage, forcing him to rob the local bank in exchange for Maria's safe return. But Vince has other ideas. He sets out to prove that old age and treachery always triumph over youth and ineptitude.
Bank Job plays out like a movie-The Desperate Hours meets Raising Arizona. It's just the sort of hilarious mix readers expect from Brewer, author of the recent novels Boost and Bullets.
Steve Brewer spent 22 years in the newspaper business before turning to fiction full time in 1997. A weekly humor column he writes for The Albuquerque Tribune is distributed by Scripps Howard News Service. Steve serves on the board of directors of Mystery Writers of America.
If i get one more paper cut i'll slit my wrists! A revolutionary new way to save! Just line coin up with bank slot ! and release. What are you saving up for?
--Andrew Wright
Vin Diesel and Paul Walker reteam with Michelle Rodriguez and Jordana Brewster for the ultimate chapter of the franchise built on speed! From big rig heists to precis! ion tunnel crawls, Fast & Furious takes you back into the high! -octane world to race through crowded city streets and across international lines!Fast & Furious is high octane torque-er porn that puts the franchise back on course after drifting in Tokyo. With the original cast once again in the driver's seat, we are good to go with a this-time-it's-personal plot and spectacular race and chase set-pieces that exceed the promise of the stripped-down title, beginning with an awesome highway hijacking of an oil truck led by former street racer Dom Toretto (Vin Diesel, at his glowering and gravel-voiced best). Dom is a fugitive in the Dominican Republic, but after a devastating personal loss, he is driven by revenge to return to Los Angeles to bring down an elusive drug smuggler. He is reunited with Brian O'Connor (Paul Walker), the undercover FBI agent who let him go eight years earlier. Brian, also on the case, must come to terms with Dom and make amends with Dom's sister (Jordana Brewster), whom he betrayed in his original pursuit of Dom. Fast & F! urious is just the ticket for putting your mind on cruise control. From a see-what-you've-got racing challenge through the streets of L.A. to the illicit kicks of the street-racing subculture (this is extreme PG-13), there is nothing cheap about these thrills. A record-shattering opening weekend at the box office could mean faster and more furious action to come, but if this is the franchise's last time around the block, it goes out a winner. --Donald Liebenson |  |  |
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It was inevitable that Stanley Kubrick's Eyes Wide Shut would be the most misunderstood film of 1999. Kubrick died four months prior to its release, and there was no end to speculation how much he would have tinkered with the picture, changed it, "fixed" it. We'll never know. But even without the haunting enigma of the director's death--and its eerie echo/anticipation in the scene when Dr. Bill Harford (Tom Cruise) visits the deathbed of one of his patients--Eyes Wide Shut would have perplexed and polarized viewers and reviewers. After all, virtually every movie of Kubrick's post-U.S. career had; only 1964's Dr. Strangelove opened to something approaching consensus. Quite apart from the author's tinkering, Kubrick's movies themselves always seemed to change--partly because they changed us, changed the world and the ways! we experienced and understood it. And we may expect Eyes W! ide Shut to do the same. Unlike Kubrick himself, it has time.
So consider, as we settle in to live with this long, advisedly slow, mesmerizing film, how challenging and ambiguous its narrative strategy is. The source is an Arthur Schnitzler novella titled Traumnovelle (or "Dream Story"), and it's a moot question how much of Eyes Wide Shut itself is dream, from the blue shadows frosting the Harfords' bedroom to the backstage replica of New York's Greenwich Village that Kubrick built in England. Its major movement is an imaginative night-journey (even the daylight parts of it) taken by a man reeling from his wife's teasing confession of fantasized infidelity, and toward the end there is a token gesture of the couple waking to reality and, perhaps, a new, chastened maturity. Yet on some level--visually, psychologically, logically--every scene shimmers with unreality. Is everything in the movie a dream? And if so, who is dreaming it at any given moment, and why! ?
Don't settle for easy answers. Kubrick's ultimate odyssey beckons. And now the dream is yours. --Richard T. Jameson
DVD Features:
3D Animated Menus
Audio Commentary
DVD ROM Features
Deleted Scenes
Documentaries
Full Screen Version
Gag Reel
Music Video
Other
Theatrical Trailer
DVD Features:
Alternate endings
DVD ROM Features
Gag Reel
Music Video
Theatrical Trailer
Next Friday
Ice Cube wrote and stars as Craig in this sequel to Friday, which he also wrote. His nemesis from that film, neighborhood bully Debo (Tommy "Tiny" Lister Jr.), has just escaped from county jail and is out for revenge. To protect Craig, Craig's father (John Witherspoon! ) sends his son to stay with his Uncle Elroy (Don "D.C." Curry), who won the lottery and bought a house in Rancho Cucamonga. Craig expects the suburbs to be dull, but no sooner has he arrived than conflicts arise: The neighbors are hostile hoods, his cousin's girlfriend is out for blood and child support, and the house is about to be seized because of unpaid taxes. It's up to Craig and his cousin Day-Day (Mike Epps) to solve these problems before the day is over. It's a rambling, loose movie, but a genuinely entertaining one. Ice Cube doesn't write punch lines, though funny lines abound; he writes richly comic characters that speak in virtual arias of bragging, complaining, and scamming. Sure, some of the characters are stereotypes and many of the jokes are about drugs and scatology--but that's been the basis of humor since Plautus and Molière. The rhythmic energy of Ice Cube's dialogue and the easy charisma of his performance make Next Friday thoroughl! y enjoyable. --Bret Fetzer
Friday After Ne! xt
Ice Cube (Barbershop) uses his relaxed, raffish charm to glide through the third movie in his Friday series. As Craig (Cube) and Day-Day (Mike Epps) sleep in the wee hours of Christmas Eve, a burglar dressed like Santa Claus breaks in and steals their presents and rent. Thus begins a classically bad day full of unsympathetic family members, obnoxious neighbors, squealing pimps, pot smoking, and sexy babes. No one's going to win any awards for this sloppy installment, loaded with preening stereotypes and half-hearted low humor; Cube generally plays straight man and lets the rest of the cast screech, yowl, and contort their faces, their performances as ornate and ritualized as a Japanese Noh play. But if you're a fan, Friday After Next will give you a modest dose of Cube's goofy humor. John Witherspoon and Don "D.C." Curry return as Craig's eternally disgruntled father and uncle. --Bret FetzerTitles include: Friday, Next Friday, Fr! iday After Next, All About The Benjamins Friday
Friday is the rarest specimen of African American cinema: a 'hood movie refreshingly free of the semiseriousness and moralism of shoot 'em up soaps such as Boyz N the Hood, yet still true to the inner-city experience. Scripted by rapper Ice Cube, Friday is a no-frills tale of a typical day in the life of a pair of African American youth in South Central. Cube plays Craig, a frustrated teen who endures the ultimate humiliation: getting fired on his day off. Then unknown Chris Tucker plays Smokey, a marijuana-worshipping homeboy whose love for the green stuff lands him in predicament after predicament. Sitting on the stoop of Craig's rundown home, the two hilariously confront a kaleidoscopic array of gangbangers, weed dealers, crack heads, prostitutes, scheming girlfriends, and neighborhood bullies--all of whom, it should be noted, come off as sympathetic even as they ar! e being caricatured, a true achievement in the crass, "booty ! call" e nvironment of '90s African American comedy. --Ethan Brown
Next Friday
Ice Cube wrote and stars as Craig in this sequel to Friday, which he also wrote. His nemesis from that film, neighborhood bully Debo (Tommy "Tiny" Lister Jr.), has just escaped from county jail and is out to get revenge. To protect Craig, Craig's father (John Witherspoon) sends his son to stay with his Uncle Elroy (Don "DC" Curry), who won the lottery and bought a house in Rancho Cucamonga. Craig expects the suburbs to be dull, but no sooner has he arrived than conflicts arise: The neighbors are hostile hoods, his cousin's girlfriend is out for blood and child support, and the house is about to be seized because of unpaid taxes. It's up to Craig and his cousin Day-Day (Mike Epps) to solve these problems before the day is over. It's a rambling, loose movie, but a genuinely entertaining one. Ice Cube doesn't write punch lines--though fun! ny lines abound. He writes richly comic characters that speak in virtual arias of bragging, complaining, and scamming. Sure, some of the characters are stereotypes and many of the jokes are about drugs and scatology--but that's been the basis of humor since Plautus and Molière. The rhythmic energy of Ice Cube's dialogue and the easy charisma of his performance make Next Friday thoroughly enjoyable. --Bret Fetzer
Friday After Next
Ice Cube (Barbershop) uses his relaxed, raffish charm to glide through the third movie in his Friday series. As Craig (Cube) and Day-Day (Mike Epps) sleep in the wee hours of Christmas Eve, a burglar dressed like Santa Claus breaks in and steals their presents and rent. Thus begins a classically bad day full of unsympathetic family members, obnoxious neighbors, squealing pimps, pot smoking, and sexy babes. No one's going to win any awards for this sloppy installme! nt, loaded with preening stereotypes and half-hearted low hu! mor; Cub e generally plays straight man and lets the rest of the cast screech, yowl, and contort their faces, their performances as ornate and ritualized as a Japanese Noh play. But if you're a fan, Friday After Next will give you a modest dose of Cube's goofy humor. John Witherspoon and Don "D.C." Curry return as Craig's eternally disgruntled father and uncle. --Bret Fetzer
All About the Benjamins
Ice Cube cowrote, produced, and stars in this action caper. Bucum (Cube) is a bounty hunter (get it?) with dreams of big money. Reggie (Mike Epps) is a small-time grifter who also has dreams of big money and is at the top of Bucum's list to boot. Yep, you guessed it: tough guy/funny guy buddy flick. All About the Benjamins is pretty much a by-the-numbers piece of work. There's plenty of macho posturing, gunfire, big-ticket items exploding, and curse words inserted into the script in lieu of actual punch lines. The p! lot has holes big enough to drive a locomotive through, but then again the plot isn't really the point. Epps's attempts at wacky comedy wear thin early on, but Ice Cube does a fine job, and together they do make quite a few moments hit. Best recommended for when you want turn-your-brain-off excitement. --Ali DavisIce Cube (Barbershop) uses his relaxed, raffish charm to glide through the third movie in his Friday series. As Craig (Cube) and Day-Day (Mike Epps) sleep in the wee hours of Christmas Eve, a burglar dressed like Santa Claus breaks in and steals their presents and rent. Thus begins a classically bad day full of unsympathetic family members, obnoxious neighbors, squealing pimps, pot smoking, and sexy babes. No one's going to win any awards for this sloppy installment, loaded with preening stereotypes and half-hearted low humor; Cube generally plays straight man and lets the rest of the cast screech, yowl, and contort their faces, t! heir performances as ornate and ritualized as a Japanese Noh ! play. Bu t if you're a fan, Friday After Next will give you a modest dose of Cube's goofy humor. John Witherspoon and Don "D.C." Curry return as Craig's eternally disgruntled father and uncle. --Bret FetzerJust another day. But what a day. A day that shows a lighter side to life in the ’hood. That brought Ice Cube (Barbershop) and Chris Tucker (Rush Hour) to a wider audience. And that’s now even more uproarious in an Extended Director’s Cut never before available. It’s Friday, and Craig (Cube) and Smokey (Tucker) must come up with $200 they owe a local bully or there won’t be a Saturday. Co-writer Cube, director F. Gary Gray and other innovative movie talents lace the plot with shrewdly hilarious looks at family (including John Witherspoon), a preacher (Bernie Mac), a girl-next-door (Nia Long) and all manner of the good ’N’ bad of life in South Central. This is keepin’-it-real comedy for every day of the week.Friday is the rarest specimen of Af! rican American cinema: a 'hood movie refreshingly free of the semiseriousness and moralism of shoot 'em up soaps such as Boyz N the Hood, yet still true to the inner-city experience. Scripted by rapper Ice Cube, Friday is a no-frills tale of a typical day in the life of a pair of African American youth in South Central. Cube plays Craig, a frustrated teen who endures the ultimate humiliation: getting fired on his day off. Then unknown Chris Tucker plays Smokey, a marijuana-worshipping homeboy whose love for the green stuff lands him in predicament after predicament. Sitting on the stoop of Craig's rundown home, the two hilariously confront a kaleidoscopic array of gangbangers, weed dealers, crack heads, prostitutes, scheming girlfriends, and neighborhood bullies--all of whom, it should be noted, come off as sympathetic even as they are being caricatured, a true achievement in the crass, "booty call" environment of '90s African American comedy. --Ethan Brown!
Bruckheimer, the action genius behind the likes of the Pirates of the Caribbean, Con Air! , The Rock, Armageddon, and many more, here teams with visual effects maestro Hoyt Yeatman, who writes and directs. The combo is potent, and the fact that they streamed their blow-'em-up vision through a film about tiny rodents saving the world makes the whole confection a hilarious family-friendly experience as well as a satisfying action adventure. The premise isn't earth-shattering: oddball, unexpected heroes are called on to save the day (Men in Black, Underdog, etc.). But the lowly guinea pig has been long overdue to get its moment in the spotlight. And now the free world knows whom it can really trust. The film mixes the animated heroes with real-life actors, including the sardonic British character actor Bill Nighy, who plays an evil mogul out to take over and/or destroy the world. The U.S. government, it turns out, has been nurturing a special squad for occasions just such as this. It's just that it's been nurturing them in small ! pens with wood shavings on the floor and running wheels for ex! ercise. Will Arnett, deadpan and spot-on, plays the human agent who has the unenviable task of wrangling the guinea pig G-Force, and is a deft foil for the bad guys as well as for the mini-heroes.
But the true powerhouse acting belongs to those giving voices to the guinea pig agents, including Sam Rockwell, Penélope Cruz, Steve Buscemi, and, as the voice of a domesticated layabout, Jon Favreau. The film's standout, though, is Tracy Morgan, whose Agent Blaster is bellicose, fearless, and as full of malapropisms as Morgan's character on 30 Rock. (In fact, the viewer keeps half-expecting Blaster to turn to Cruz's female agent, Juarez, and yell "Liz Lemon!") G-Force is full of belly laughs for kids, as well as their action-film-fan parents. --A.T. Hurley
Stills from G-Force (Click for larger image)
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